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    Tested: 2021 Navigator Black Label Goes Dark with Special Edition Package

    If you haven’t been raptly following the nuances of the Lincoln Navigator lineup, the 2020 model year brought the Reserve Monochromatic package, which is highlighted by black wheels and a body-color grille, along with a general reduction in shiny trim pieces. But what if you want, say, the Black Label—the top of the food chain, Navigator-wise—with the monochromatic package? Well, some said it couldn’t be done, but Lincoln found a way to put black wheels on that one, too. Thus, we have a new flagship Lincoln SUV, the 2021 Navigator Black Label with the Special Edition package. No longer must Black Label owners hire freelance Plasti Dip artists to bring their Navigators closer to monochrome spec.[editoriallinks id=’0020fc93-da8f-4ae7-9035-cbbc166e348a’ align=’left’][/editoriallinks]The Special Edition package costs $6695, which seems mildly extortionate for a selective reduction of brightwork—especially given that the monochromatic package costs $3270 on the Reserve trim. But on the Black Label it includes a black roof, for a throwback two-tone look. It’s available with most exterior colors except black, possibly because Lincoln is saving that for an inevitable Midnight Edition in 2022 or 2023. A Navigator Black Label starts at $99,420, and a rear-seat entertainment system ($2000) and inflatable rear seatbelts ($250) are essentially the only options. (Our tester had neither.) The long-wheelbase L model adds $3200. Yes, that is a lot of money, and no, they’re not throwing incentives at it, either. Navigator sales were up 26 percent in the first quarter of this year, and over at Cadillac they’re selling every Escalade they can build. In a few more months, the Hamptons will be lousy with the new Jeep Grand Wagoneer. In the new Roaring Twenties, however long they may last, big three-row domestic luxury SUVs are a hot commodity. [image id=’9dd64f24-4c9f-47b7-9977-335a35b2e3b6′ mediaId=’49cc9796-0538-4965-ac15-f3eabc08a723′ align=’center’ size=’medium’ share=’false’ caption=” expand=” crop=’6×4′][/image][pullquote align=’center’]HIGHS: Zero to 60 mph in 5.2 seconds, lavish interior, design still looks fresh three years after its introduction.[/pullquote]And suddenly, the Navigator—redesigned for the 2018 model year—is the oldest SUV in its segment. It doesn’t feel dated, however, especially in terms of its power delivery. The 450-hp twin-turbo 3.5-liter V-6—feel free to call it the Raptor engine—flings the vast Lincoln from rest to 60 mph in 5.2 seconds, which is only 0.1 second behind a relatively dainty Audi SQ5. The quarter-mile requires just 13.8 seconds, at the end of which the Navigator is traveling at 100 mph. Those figures are good enough to beat the last Raptor we tested. More important, they trounce the Navigator’s natural foe, the Escalade. That Cadillac, with its naturally aspirated V-8, hits 60 in 5.9 seconds and does the quarter-mile in 14.4 seconds at 96 mph. Drag-strip starts aside, the Navigator’s 510 pound-feet of torque make it feel effortlessly powerful in everyday driving, as befits a barge that has 30-way power-adjustable front seats and an available interior theme dubbed Yacht Club, complete with blue leather seats and white teak wood trim. With a tow rating as high as 8700 pounds, the Navigator can also tow a decent-sized yacht’s tender.[image id=’bf2b11a8-8b0c-4f7b-b3fc-2d40b61c28d4′ mediaId=’72b86708-b96a-41eb-951b-f92a7e25d6f3′ align=’center’ size=’medium’ share=’false’ caption=” expand=” crop=’original’][/image][pullquote align=’center’]LOWS: Black wheels, trim, and roof cost an additional $6695?[/pullquote]A boat trailer that size would have its own brakes, which is important because the Navigator’s stoppers already have their work cut out halting 6066 pounds of Black Label. Our test truck’s 182-foot stop from 70 mph isn’t poor, and the first four stops were consistent. But the next three grew progressively longer, and our test driver noted that one more run might’ve seen brake fade become brake failure. But if you’re not running hot laps on a racetrack, they should be sufficient. Rolling on 22-inch Hankook Dynapro HT all-season tires, the Black Label’s middling 0.76 g of lateral grip is another telltale sign that the Navigator, while all ate up with boost, isn’t built to take on Durango Hellcats.Although it’s been three years since its debut, the Navigator still does an excellent job of convincing you that it has little to do with the Ford Expedition and is in fact the sort of domestic royalty worthy of an interior design scheme called Chalét. (Yes, with an accent.) But as for the Special Edition, we’d suggest that some brightwork actually suits a Navigator. And $6695 buys a lot of Plasti Dip.[vehicle type=’specpanel’ vehicle-body-style=” vehicle-make=” vehicle-model=” vehicle-model-category=” vehicle-submodel=” vehicle-year=”][/vehicle]

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    Tested: 2003 Mercedes-Benz SL500

    From the April 2002 issue of Car and Driver. Say what you will about the cheese-block lines and frumpy two-tone paint schemes of the outgoing Mercedes-Benz SL, it was no slave to fads. For 13 years the R129, as Mercedes engineers knew it, bucked changing fashions to embody the company’s traditional love of precision engineering, contemporary technology, and restrained design. It was a silk pinstripe on a rack of polyester pretenders.

    And as the R129 points its rectilinear nose into the sunset, it’s reasonable to expect that the replacement, the R230, which pioneers a new electrohydraulic brake technology (see sidebar) and has a folding hardtop whose choreography would stand with a Bolshoi number, will emulate the pattern. Germans make things to endure. The Brandenburg Gate survived the Halifax bomber, for example. So shall the conservative SL stay its course against the fashion onslaught of chichi new droptops. Or will it? Today’s plutocrats want more than just safe, dignified transportation, and Mercedes’ competitors are lining up to give it to them. The Porsche 911 Cabrio offers more performance, the BMW Z8 more exclusivity, the Jaguar XK8 has a more coddling interior and classically evocative lines, and the Lexus SC430 is more avant-garde. The old SL may have been content to be timeless executive wear, but the new SL wants to be this season’s sauciest slip-on.Just look at the way it flaunts itself in public. Mercedes’ stylists lengthened the wheelbase by 1.8 inches, widened the track by about an inch, and shortened the overhangs to give it a road-inhaling stance. They folded down the windshield to a garish rake and draped the aluminum sheets in an alluring wedge over the big wheels. The scandalous curves are a magnet for attention and moved one young male passerby to exclaim, “Man, you must get all the women.”

    Highs: Slippery sheet metal guarantees status with the valet, a shoo-in if the Nobel committee awarded a prize for droptop mechanisms.

    Don’t be fooled. We don’t get the women, and the new SL, despite its gorgeous shape, proves to be only a halfhearted extrovert once you take a closer look. For one thing, the stylists seem to have hit the creative wall after penning the lascivious profile. The nose bears a stock four-sided corporate grille bracketed by a variant of the C-class Mr. Peanut-shaped headlights—livened up somewhat with a tighter waist (Mrs. Peanut?). But the real offenses in our eyes are the hood and fender vents, which look cheap and gape ostentatiously. What fashion crime did the last SL’s artfully subtle slots commit?More important, the new SL moves the driving-excitement needle only incrementally, rather than substantially, out on the road. True, the new car finds 60 mph a full 0.5 second sooner than the last SL500 we tested ( C/D, December 1989), even though its SOHC 302-hp, 24-valve V-8 produces 20 horsepower less than Mercedes’ old DOHC 32-valve V-8. And the holding power on the skidpad was a very sticky 0.88 g, 0.06 g better than the SL500 we tested in ’89. Some credit goes to the fitment of the optional Sport package, which includes side and rear fascia changes and 18-inch wheels wearing the latest Z-rated Michelin Pilot Sports, upsized to 285/40 in the back.

    But the dividends to steering precision and road communication from the revised chassis haven’t fully accrued to the overall experience. The SL now enjoys more lively rack-and-pinion steering, but there’s still too much cushion in the weights and responses, too much old software left over from the luxury-car department to make the wheel as sharp as it could be. For example, if the SL were a true sports roadster, the steering would give you the good, the bad, and even the irrelevant news. This SL provides a brief executive summary. Some of the SL’s dynamic shortcomings can be blamed on the weight, which despite the aluminum sheets and magnesium door castings is still 4172 pounds, about the same as a Jeep Grand Cherokee Limited. The Active Body Control system directs a hydraulic ram above each coil spring to continuously alter its spring rate in order to counter body roll, pitch, and dive. This limits the body motions in long sweepers and during hard applications of the pedals, but this heavy mechanism can’t make the car feel less massive than it is all by itself. And except for allowing Mercedes to choose softer springs than it might have otherwise, ABC doesn’t do anything for the ride quality, which is on the tranquil side but which degenerates into quivering concussions over Midwestern frost heaves.

    The trademark trapezoidal instrument cluster is among the Mercedes icons relegated to the dustbin in the new SL. The substitute is a pair of sculpted, hooded dials that take the most direct cue not from the lumpy 300SLs of the ’50s or the pagoda-roofed SLs of the ’60s, but from generations of dearly departed Alfa Romeo spiders. The climate-control plate recalls something less savory–we’re thinking Madonna’s chrome brassiere–and the twin aluminum rings that control the temperature for driver and passenger wobble slightly in their races and feel as if they were pilfered from the Hyundai parts bin. Mercedes did manage to blend the conflicting themes of retro wood and nouveau brushed aluminum into a warmer, more spacious, and more organic interior than in the previous SL. The exception is the door armrests, which are as hard as pig iron and brutal to the elbows. At least one can flip up the armrest to open the storage bin underneath and perch the elbow on the much softer spine of the leather-bound owner’s manual.

    Lows: A few chintzy and duplicative design details, steering and brakes left some unimpressed.

    The most familiar item in the cockpit is the COMAND system panel, which includes densely packed buttons for the radio, phone, and GPS-based navigation functions. The voice-activation feature and the oval steering-wheel buttons help sort it out, but using the system remains as taxing as herding cats. Another thing you can’t do without straining is load the CD changer. The slot above the COMAND screen accommodates one music CD or one of the 11 navigation CDs (there’s still no one-disc DVD system available); the changer is nestled in the left of the two cubbies behind the seats. We find that an odd place to put it, considering a Ford Focus can be optioned with an in-dash changer. At least Mercedes has created a serene environment in which to enjoy the radio. With the top erected, the atmosphere is hushed enough to hear your passenger’s tendons snapping during a postnap stretch. However, the draining of the sound swamp did expose at least one evolutionary throwback wriggling in the mud. At about 2100 rpm, a hollow, moaning resonance disturbs the cabin, thanks to an offensive frequency in the exhaust or powertrain that excites the surrounding body. A new thing the car pictured here doesn’t have, but which we sampled at Mercedes’ introduction, is Keyless Go. It’s a transponder shaped like a credit card that unlocks the car and allows the driver to start and stop it by pushing a button on the shifter. It promises to make a lost art of inventing new curses to call forth misplaced keys. There is no price on the option yet.The SL’s new top is without doubt the category killer. Flip up the paddle switch at console center (the small buttons to manually raise and lower the roll bar are hiding underneath), and wait 16 seconds while the aluminum and glass panels separate, somersault flat, and stack efficiently in the trunk. Once deposited, the top leaves just enough space to wedge in his and hers golf bags.

    The Verdict: Incremental improvements served up in a flamboyant new wrapper.

    The cavity is accessible by pushing a red button on the trunk sill that electrically tilts the entire top stack to a 20-degree angle. A louver in the trunk that must be in place before the top will come down prevents potato chip crushing. With the top stowed and the stretchy mesh wind deflector in position, the occupants can debate their destination at conversational levels right up to 80 mph.The new SL’s terrific top and improved performance are the best excuses to cash in an old softtop SL and simultaneously rid the garage of its bulky detached hardtop. If those aren’t reasons enough, consider that the $87,000 price may ultimately be the cheapest way to completely overhaul your appearance. Counterpoint Aside from an automatic climate-control system that looks as if it came from a pre-WWII Tatra, the latest SL advances the state of its breed and is a real looker. In fact, it could be argued that this is the coolest Mercedes sheetmetal since the 300SL Gullwing. It’s also comfortable, techno-trick, reasonably quick (for something that still scales in north of two tons), and reasonably agile (ditto). But unless you’re into such accessories as trophy wives and gold Rolexes, the new SL just isn’t the sort of device that raises pulse rates. If you like envy, this ride’s for you. If you want adrenaline, better wait for the AMG version. —Tony Swan Robinson drove the SL500 home from Arizona, reminding me of a similar jaunt I made in the original 600SL. That car, too, was a people magnet, a serene cruiser, and a rocket sled. That car made me feel like a power broker, and so does this one, except here I feel like an addled magnate. Setting the clock took 15 minutes of tinkering, followed by an embarrassing consultation of the owner’s manual. The futuristic top and by-wire brakes set new benchmarks, and the sinuous sheetmetal recalls elements of the original 300SL. I like it all, but I wish the dash controls were simpler. Simple controls would qualify as retro chic, wouldn’t they? —Frank Markus Is there anyone in America who doesn’t pay a little more attention to the driver of a Mercedes SL? The car is such a universal icon of tasteful style and refined substance that it magically confers those qualities on anyone who drives one. The SL performs this alchemy because for nearly 50 years it has represented automotive excellence. The original Gullwings were close cousins to Le Mans winners. The recent ones have bristled with cutting-edge technology. The one common thread has been visual beauty, and this fifth-generation SL is the prettiest one in the past 30 years. It’s sure to keep those valets standing up a little straighter. —Csaba CsereBraking The MoldThis new SL introduces the most significant wrinkle to stoppers since the advent of anti-lock brakes: computer-operated brakes that take control of the calipers in a way no human could emulate without four brake pedals and the feet to work them. The underhood heart of the Sensotronic Brake Control (SBC) system is a large aluminum valve block fitted with an electric motor for maintaining 2000 to 2300 psi of fluid pressure in an adjacent hydraulic accumulator. When you hoof the brake pedal—an electronic sensor with a spring-loaded plunger to mimic brake resistance but not the annoying ABS pushback—the computer flutters the solenoid-operated valves inside the block, releasing pressure from the accumulator to the otherwise conventional steel lines heading out to the calipers.The computer thus has ultimate command over the pressure each caliper receives (a redundant master cylinder provides pressure to the front calipers in case of power failure) and uses its position of responsibility to provide some extra capability. For example, the system varies the brake pressure not only fore and aft but also from side to side, applying increased pressure on the laden outside wheels in a turn while relaxing the inside calipers to prevent lockup. The computer also monitors for sudden releases of the accelerator, in which case it assumes a panic situation is brewing and pumps up pressure while snuggling the pads against the rotors to prepare for a hard stop. In the rain, the system will imperceptibly pulse the brakes every few minutes to keep the pads dry, and over time it will learn your driving style and tailor the brake response.Considering it’s the first shot at virtual brakes, Mercedes and supplier Bosch got it mostly right. Tip into the pedal as lightly as you can, and the initial engagement is undetectable. Whack the pedal hard, and the car freezes in 155 feet from 70 mph, or 10 feet shorter than a Ferrari 360 Modena F1 ( C/D, September 2000). Do it six times rapidly, and the distance grows by just nine feet, still better than the Modena’s best. The SL’s brakes also accept stomps in mid-apex without relying on ABS or squirreling the car into oversteer. The system’s opaqueness increases during prolonged mid-effort applications, such as when rolling up to a stop sign. The pedal acquires supersensitivity, adjusting the pressure out of proportion with small pedal movements. Suddenly, it feels as if the car is lurching ahead when all you meant to do was ease the pressure slightly to stop on the appropriate dime. Release the pedal from a dead stop, and the calipers of our test car sometimes responded with an audible “clunk.” With this wrinkle, Mercedes still has a little ironing to do. —AR

    Specifications

    SPECIFICATIONS
    2003 Mercedes-Benz SL500
    VEHICLE TYPEFront-engine, rear-wheel-drive, 2-passenger, 2-door convertible
    BASE PRICE (C/D EST)$87,000
    ENGINE TYPESOHC 24-valve V-8, aluminum block and heads, port fuel injectionDisplacement: 303 in3, 4966 cm3 Power: 302 hp @ 5600 rpmTorque: 339 lb-ft @ 2700 rpm
    TRANSMISSION5-speed automatic
    CHASSISSuspension (F/R): multilink/multilinkBrakes (F/R): 13.0-in vented, cross-drilled disc/11.8-in vented discTires: Michelin Pilot Sport, F: 255/40ZR-18 95Y R: 285/40ZR-18 97Y
    DIMENSIONSWheelbase: 100.8 in Length: 178.5 in Width: 71.5 in Height: 51.1 in Passenger volume: 46 ft3 Trunk volume, top down/up: 8/11 ft3 Curb weight: 4172 lb
    C/D TEST RESULTS60 mph: 5.8 sec100 mph: 14.5 sec130 mph: 26.5 secRolling start, 5–60 mph: 6.1 secTop gear, 30–50 mph: 3.4 secTop gear, 50–70 mph: 4.0 sec1/4 mile: 14.3 sec @ 99 mphTop speed (governor limited): 155 mphBraking, 70–0 mph: 155 ftRoadholding, 300-ft-dia skidpad: 0.88 g
    C/D FUEL ECONOMYObserved: 22 mpg
    EPA FUEL ECONOMYCombined/city/highway: 18/15/22 mpg

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    Tested: 2007 Mercedes-Benz S550

    From the February 2006 issue of Car and Driver.

    Tally all the engine possibilities and it’s accurate to say that Mercedes-Benz currently offers—whoa!—43 models. Ask the average schmo on the street to name the most famous, and he might say, “McCambridge,” or he might say, “Gullwing,” but he’ll probably say, “S-class.” For more than 50 years, S-class Benzes have been the most succulent sausages in the Teutons’ tray of vehicular sauerkraut.For 2007, the S-class lineup has been simplified. No more short- and long-wheelbase cars, just the 124.6-inch edition, 3.1 inches more majestic than its predecessor. The lineup now comprises the S550 tested here, whose $86,175 base price is actually $1650 shy of its S500 forebear’s, followed in April by a 510-horse V-12 S600, with a sticker close to $130,000. An all-wheel-drive S550 4MATIC should arrive in November, and the inevitable AMG variants will manifest when AMG and every F1 driver on the planet are damn well ready.

    Highs: Blitzkrieg acceleration, seats fit for a CEO, as quiet as a dead church mouse.

    Apart from the S550’s swollen fender haunches-reminiscent of those hockey-puck shoulder pads that Larry King jams into his suits-what you notice first about this car is its seats. Really. They’re sumptuous without being saggy and offer 14-way “multicontour” adjustments that can even change the distance the cushion extends beneath your thighs, and there are optional multilevel fans blowing cold or hot winds up your keister, and there are side bolsters that suddenly stiffen in reaction to cornering forces, and there are center lumbar chambers that expand and contract to change your position twice per minute, and there’s even a vigorous Magic Fingers option that feels like small pine logs rolling slowly down the sluiceway that is your spine. We drove this S550 from Manhattan to Ann Arbor, stopping only to replenish 23.8 gallons of premium unleaded, and felt as if we should have continued on to Iowa. Similar praise can be heaped on the vast and comfy rear chairs, where you can tuck your loafers beneath the tall front seats, spread out, and fully open the Times’ Arts & Leisure section. These new seats are so good that they bear the seal of approval of the Aktion Gesunder Rücken, which is either a German outfit that rates products for spine-friendliness or a bunch of guys who look for life forms under rocks.

    Lows: Resolute understeerer, fiddly switchgear, more electronics than Circuit City.

    In the past, Mercedes expended a moderate load of warm air hyping its SOHC three-valve-per-cylinder V-8s but now has fast-forwarded to the world of twin-cam four-valvers, with superlative results. This new variable-valve-timing V-8 purrs out 382 horses at 6000 rpm but stockpiles all 391 pound-feet of its peak torque right there on the bottom shelf, ever accessible from 2800 to 4800 rpm. The engine is as smooth as a poetry major on Ambien—more than once we tried to start the bugger while it was running. Unlike your average poet, however, it is practically mute. In fact, the S550 is quieter at idle, at full throttle, and at a 70-mph cruise than a Bentley Continental GT and is exactly as quiet at 70 mph as that perennial exemplar of soporific tranquillity, the Lexus LS430.
    Which somehow makes the S550’s accelerative thrust—right on the city limits of hot roddom—all the more thrilling. Apply a little brake torque and you can paint five unholy feet of Continental rubber on the deck. The S550 legs it to 60 mph in 5.3 seconds-0.8 second quicker than the last S500 we sampled and 0.1 second quicker than the new BMW 750i, the car die Benzkinder most fear. To 100 mph, the S550 lags behind the big BMW by only a tenth, but its quarter-mile ET is two-tenths quicker. Top speed for S550s fitted with M+S-rated tires is choked to 132 mph, 23 mph shy of the fun available with the optional Z-rated rubber.

    The Archive: The best S-class ever, as your chauffeur will surely confirm.

    Counterpoint What we have here no long qualifies to be just a car anymore. It’s something…grander, like somewhere on it in tasteful chrome there should be a NASA badge. Call it a freeway module. Or a highway capsule. You just cannot make a car ride any more smoothly, any more comfortably, any more cozily, any more warm and fuzzily. Game over. So what will Mercedes do with the next generation S-class, since its ride is all improved-out? Possibly add more services and edges covered in fur? A coffeemaker? Or more dashboard buttons? There are eight involving the radio, which I am afraid of since I can’t find the on switch. It’s a stupendous thing, whatever it is. —Steve Spence BMW started the revolution with its iDrive single-knob control system, and others have tried their own approach. All have been complicated and annoying to use, up until now. Mercedes has it right with its updated COMAND system; unlike BMWs infuriating and complicated iDrive, COMAND is simple to use. I hopped in the car and, without an owner’s manual, had everything programmed and preset to my liking in 10 minutes. No cursing or tantrums, no having to look up stuff. I’m not smitten with the exterior styling—the heavily flared wheel arches are a bit over the top–but everything else about the S550 makes it a perfect 10 on my scorecard. —André Idzikowski By objective measures, this S550 is a fabulous car. It easily runs the quarter in the 13s. It corners and stops like a sports car. Its suspension smothers bumps. And the big Mercedes is supremely quiet and comfortable. I’ll even allow that the Mercedes version of the grand German control knob works better than any that came before it. But somehow, the car still fails to make my mouth water. Perhaps I’m put off by the overly styled sheetmetal, which lacks the grace of its predecessor. I’m also not taken with the synthetic feel in the major driving controls and the electronics-heavy interior. Even in a luxury sedan, I’d like more driver involvement. —Csaba CsereDude, Who Stole Your Radio?We’re not gonna launch into a red-faced rant about the complicated COMAND system. For one thing, we don’t have enough pages. But it does strike us as risky to force the average S-class owner–he is, after all, 61 years old–to corral the cognitive courage necessary to wend his way, via an aluminum mouse, through approximately as many computer programs as are required to launch an ICBM from the USS Alaska. To summon music, for instance, you must:a. Tilt the mouse forward to get to the top of the computer screen’s main menu.b. Twist the mouse left or right to place the cursor on “Audio.”c. Push the mouse straight down to say, “Yes, I do want to view the audio menu.”d. Repeatedly tilt the mouse backward to toggle through your options: FM, AM, Satellite Radio, CD, DVD, MP3, or Audio Off.e. Poke the mouse straight down to select the mode you desire.f. Twirl the mouse left or right, now that an FM radio dial has magically appeared, to advance from channel to channel. (Note: You’re in seek mode only. If you wish to listen to weak stations, prepare to start all over again.)g. Direct your attention away from the computer and away from the mouse and to the top-right spoke of the steering wheel, where a five-function rubber pad the size of a silver dollar will allow you to hear the station you’ve so diligently pursued.h. Should that prove too complex, direct your attention to a small knurled wheel on the passenger side of the center console, where volume can alternately be adjusted.Up, down, sideways. Twist, turn, poke. Hands for some functions, fingers for others, eyes continuously scanning the steering wheel, dash, screen, and center console. Exactly where is the radio? It’s everywhere. And nowhere. Can the COMAND system be mastered? Of course. Just not today.

    Specifications

    SPECIFICATIONS
    2007 Mercedes-Benz S550
    VEHICLE TYPEfront-engine, rear-wheel-drive, 5-passenger, 4-door sedan
    PRICE AS TESTED$104,175 (base price: $86,175)
    ENGINE TYPEDOHC 32-valve V-8, aluminum block and heads, port fuel injectionDisplacement: 333 in3, 5461 cm3Power: 382 hp @ 6000 rpmTorque: 391 lb-ft @ 2800 rpm
    TRANSMISSION7-speed automatic
    CHASSISSuspension (F/R): multilink/multilinkBrakes (F/R): 13.8-in vented disc/12.6-in vented discTires: Continental ContiTouringContact, 255/45R-18 99H M+S
    DIMENSIONSWheelbase: 124.6 in Length: 205.0 in Width: 83.3 in  Height: 58.0 in Passenger volume: 106 ft3 Trunk volume: 20 ft3 Curb weight: 4688 lb
    C/D TEST RESULTS60 mph: 5.3 sec100 mph: 13.2 sec130 mph: 23.4 secRolling start, 5–60 mph: 5.7 secTop gear, 30–50 mph: 2.9 secTop gear, 50–70 mph: 3.6 sec1/4 mile: 13.7 sec @ 102 mphTop speed (governor limited): 132 mphBraking, 70–0 mph: 172 ftRoadholding, 300-ft-dia skidpad: 0.85 g
    C/D FUEL ECONOMYObserved: 16 mpg
    EPA FUEL ECONOMYCombined/city/highway: 18/16/24 mpg

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    First Drive: 2006 Mercedes-Benz E350

    From the March 2005 issue of Car and Driver.The six-cylinder E-class sits smack in the middle of Mercedes’ huge lineup and has until recently been ignored like a quiet middle child. Back before Mercedes started dropping V-8s into the mid-size E-class, the six-cylinder E-class was the shining star of the Benz squad-sportier than the S-class but more accomplished than the C-class and the 190E before it. In 1994 the E320 arrived with an inline-six that had 217 horsepower. The last of the E320s has 221 horsepower from an 18-valve V-6. It’s hard to imagine going more than 10 years without a significant increase in power, but the E320 had to go through two generations with basically the same output. Now, that’s neglect. In the intervening years, seemingly average cars have surpassed the output of the once proud E320. But despite lacking class-leading acceleration, an E320 squeaked out a one-point victory in a seven-car comparo [C/D, March 2003]. So in hopes of keeping its spot on the top of the heap, Mercedes is swapping the old V-6 for the more powerful 24-valve DOHC 3.5-liter V-6 introduced in the SLK roadster.

    Packing 268 horsepower, 47 more than the 3.2-liter it replaces and only seven less than the 4.3-liter V-8 from the previous-generation E-class, the E350 accelerates with a renewed sense of urgency. Mercedes claims the E350 lops off 0.7 second from the dash to 62 mph. The last E320 we tested in ’03 did away with 60 mph in 7.4 seconds, so we expect the E350 to run to 60 in less than seven. In the E-class the 3.5-liter doesn’t pin you to the seat as it does in the lighter SLK350, nor will it threaten the superiority of the E500’s 302 horsepower and 339 pound-feet of thrust, but the gain in acceleration is noticeable.The 3.5-liter is a development of the 90-degree 3.2-liter V-6 that debuted in 1997. Bore and stroke have been increased to bring the displacement to 3.5 liters, there are now four valves per cylinder instead of three, and compression increases from 10.0:1 to 10.7:1. Those valves are actuated by four cams that benefit from variable timing on the exhaust and intake sides. Torque jumps from the 3.2-liter’s 232 pound-feet to 258, available at 2400 rpm.Making the most of the healthy power band is Mercedes’ seven-speed automatic transmission with the hip-hop friendly name of 7G-Tronic. Initially only available on eight-cylinder Benzes, the seven-speed will eventually latch onto all Mercedes engines. Compared with the five-speed, the new transmission has closer ratios as well as a lower first gear (benefiting acceleration) and a taller top gear (to boost fuel economy). All-wheel-drive, or 4MATIC, versions of the E350 will soldier on with the five-speed automatic because there is not enough room for the slightly larger seven-speed and the all-wheel-drive transfer case.Accelerate at less than wide-open throttle, and it’s unlikely you’ll notice the seven-speed transmission busily moving through its numerous cogs. Introduce the pedal to the floor long enough to force a shift at the 6400-rpm redline, and you’ll barely see a drop in revs as the transmission whips from first gear to second. Marry the pedal to the floor, and the E350 will whisk you almost inaudibly to a governed Euro velocity of 155 mph. U.S.-bound E350s will be governed at 130 mph. The transplant from the SLK350 to the E-class has entirely changed the character of the 3.5-liter V-6. In the SLK, engine intake and exhaust noise is always present, although never intrusive; in the E350, the intake noise wouldn’t qualify as a whisper, and the exhaust has been similarly emasculated. We understand the subdued nature of the E350 is appropriate for a sedan, but we just love the way the SLK sounds, so we were disappointed that the new engine wasn’t allowed to do its Ferrari impersonation. The E-class is only the second stop on the new engine’s tour of the Mercedes lineup. Soon the 3.5-liter V-6 will be as ubiquitous as steroids in baseball, giving a boost to several models starting with a C-class version, which we’ll get in the States, and CLS-, SL-, and S-class versions, which we won’t get. The E350 goes on sale this month as a 2006. Although Mercedes was coy about exact pricing, buyers shouldn’t expect to pay much more for the added power and content of the E350; the base E320’s price started a few dollars south of 50 grand, and the E350’s should start a few dollars north. The changes are welcome, and the resulting E350 is a happier car than the E320. And that’s what every middle child needs and wants-attention.

    Specifications

    SPECIFICATIONS2066 Mercedes-Benz E350 VEHICLE TYPE Front-engine, rear- or 4-wheel-drive, 5-passenger, 4-door sedan or 5-door wagonESTIMATED BASE PRICE $51,000ENGINE TYPE DOHC 24-valve V-6, aluminum block and heads, port fuel injection Displacement: 213 cu in, 3498ccPower (SAE net): 268 bhp @ 6000 rpmTorque (SAE net): 258 lb-ft @ 2400 rpmTRANSMISSION 5-speed automatic, 7-speed automaticDIMENSIONSWheelbase: 112.4 in Length: 189.7-190.9 inWidth: 71.7 in Height: 57.0-59.0 inCurb weight: 3700-4200 lbPERFORMANCE RATINGS (MFR’S EST)Zero to 62 mph: 6.9-7.4 secTop speed (governor limited): 130 mphPROJECTED FUEL ECONOMY (MFR’S EST)European combined cycle: 22-24 mpg

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    2022 Bentley GT Speed Is a Sharper Continental

    Over the last few years, British automakers have started to mount hostile incursions into what used to be each other’s sovereign territory. Aston Martins have become more pliant and comfortable. Rolls-Royces have grown modestly more athletic. And now Bentley is making a push into much more focused driving dynamics with the new Continental GT Speed.There have been Speed versions of Bentley models before now, but these have largely just added horsepower, rather than sharpening handling to any significant degree. But the new GT Speed takes a different path. Sure, W.O.’s company says it is quicker than the already rapid Continental GT W12 it is based on, but only just. Its twin-turbo 6.0-liter W-12 makes 650 horsepower—a 24-hp increase—but also produces the same torque peak of 664 pound-feet. Bentley says the Speed shaves a tenth of a second from the W12’s zero-to-60-mph time, which should translate to a 3.1-second dash when we get around to testing one. Top speed also improves by a similarly trivial margin, increasing from a claimed 207 mph to 208 mph. These are details that even the hardest-charging GT Speed drivers are unlikely to notice.

    The other changes are more significant. The Speed is the first Continental to get rear-wheel steering to simultaneously sharpen its responses and improve high-speed stability. It also gains a new electronically controlled limited-slip differential so as not to make a one-tire fire out of one of the summer rubber wrapping 22-inch wheels. There is also a more pronounced rearward bias for the car’s all-wheel-drive system and a recalibration of the GT’s electronic sentinels, including what the company’s engineers refer to as a “more charismatic” Sport mode for the stability control. Our drive of the new GT Speed was restricted to the United Kingdom’s Silverstone race circuit, apparently due to delays in certifying the car for road use in Britain. It was a limited experience in an atypical environment, but it did prove that—unlike most of its predecessors—the Speed seems to actually enjoy hard track use.
    While the revised chassis did impress, the Speed’s modestly altered W-12 engine remains its starring feature. The Speed gets new turbochargers to improve responses. While the torque peak moves slightly higher in the rev range, the horsepower peak hits at 5000 rpm and remains flat to 6000 rpm, the engine’s previous peak point. But the overall experience is almost entirely as we remember it from earlier examples. This venerable engine might be nearing its retirement party—Bentley claims it will produce its last non-electrified powertrain as soon as 2025—but even as the sand runs down, it still feels like a modern engineering achievement.On public roads, where full throttle only ever comes in small doses, we know that the effortlessness of the W-12’s muscle tends to be its defining characteristic. But on Silverstone’s fast GP circuit, the mighty engine forgot its soft voice and wielded a very big stick, turning snarling and savage as it enabled huge velocities on the circuit’s straights. While loud under full throttle (even when experienced through the padding of a helmet), the Speed has lost some of the pops and bangs we remember brawnier versions of this engine making in previous models.
    Other roadgoing Bentleys have been as good at delivering straight-line speed as this one, but none of its predecessors felt this accomplished when it comes to shedding velocity or carrying it into corners. We sampled a car fitted with the optional carbon-ceramic brake system, with 17.3-inch front rotors that Bentley says are the biggest in the world. Stopping power felt both massive and relentless. Even when repeatedly hauling the 5000-plus-pound car down from triple-digit speeds, the brake pedal remained firm and linear.The Speed’s mass remained evident when asking it to change direction, but the suite of active systems work together to help it turn. Like the regular Continental, the Speed gets Bentley’s active anti-roll bars, which counteract body roll with a 48-volt electric motor. The contribution of the new rear steering system was well disguised, although doubtlessly helpful; at higher speeds it turns the rear wheels very slightly in phase with the fronts to impart unbreakable stability. Pressing harder in Silverstone’s tighter corners with the stability control in either its Sport mode or deactivated proved that the Speed could indeed be persuaded into power oversteer, holding this unlikely state with remarkable aplomb for something so big and heavy. The expression “drift mode” wasn’t dare used by any of the engineers at Silverstone, but that is clearly what this newfound dynamic freedom is meant to replicate.
    The Speed is clearly a sharpened GT rather than a pure-blooded sports car, and we have little doubt it will be as accomplished on the street as its less aggressive siblings. On track, the gearbox felt a little out of its comfort zone, the eight-speed dual-clutch automatic shifting quickly and cleanly, but without the snappy forcefulness of most of its ilk. Even in Sport mode and with the transmission under manual control, it still upshifted automatically at redline. It would be nice to be able to hold it there for a second or so in the face of an approaching braking zone. We also found that the Speed’s quilted leather seats, although beautifully trimmed, were lacking the lateral support of true track specials, leading to a degree of lateral ass slippage under prolonged cornering loads.All of that is unlikely to matter. Bentley knows that hard circuit driving will only ever be a small part of the duty cycle for a typical GT Speed. Its on-track talents will be more “can” than “will” for most buyers. But presuming the chassis changes work just as well on real roads, there seems little doubt this will become the most appealing version of the Continental GT, as well as the most expensive, when it goes on sale later this year.

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    Tested: 2011 Chevrolet Camaro SS Convertible

    From the April 2011 issue of Car and Driver. Visibility issues in the turret-like Chevy Camaro, well-documented in this journal, are now cured by simply ordering the car without a lid. The view from Lookout Mountain isn’t as commanding as the one from the long-awaited Camaro convertible—once its top is dropped.

    A rocker switch stationed near the rearview mirror puts the Camaro’s canvas in motion after you’ve released the single mechanical twist-handle anchoring the top to the windshield header. The time it took the roof to Z-fold into the trunk seemed longer than the past election season, until we timed it: 17.7 seconds, which is actually quicker than some of those German android hardtops, including the BMW 3-series’.The Camaro’s roof is a cleanly stitched canvas ceiling that hides its joints and spars within a thick, sound-absorbent headliner. Erect, it is almost as smooth and taut as a timpani head, and it’s a decent facsimile of the coupe’s rakishly slippery steel top—blind spots included.

    The top is nicely finished, but the tonneau is more than a bit fiddly
    MORGAN SEGAL, THE MANUFACTURER

    Folded, the top crams into a well in the trunk, mostly lying below the horizontal plane formed by  the Camaro’s body. A couple of stray shin bones stick up, but those can be hidden by the included tonneau cover, whose many  tabs and flaps take some wrestling to put into place. HIGHS: A Camaro you can actually see out of, easy-fold roof retains the coupe’s profile, SS-style smoke and thunder.A fabric curtain in the trunk ensures that the top doesn’t collide with cargo, and it must be in place before the roof will move. About a quarter of  the small, 10.2-cubic-foot trunk is lost to the top, leaving just enough space for half a pro golf bag. Figure on playing only nine holes that day.

    MORGAN SEGAL, THE MANUFACTURER

    Chevy is proud of the Camaro’s stiffness, claiming torsional rigidity that tops that of the 3-series convertible. Aside from some distinct quivers up the steering column, the Camaro’s structure feels adequately sound. Usually convertible versions get a softer suspension to absorb more bumps and make life easier for the compromised structure. Ford does it on the Mustang, for example.LOWS: Small trunk gets smaller with the top in it, fitting the tonneau takes practice, weighs two tons and change.But the topless Camaro—which has extra bracing linking the front shock towers, supporting the transmission, bridging the prop-shaft tunnel, and tying the front and rear subframes to the unibody—has the exact same spring and shock tune as the coupe, says Chevy. So we weren’t surprised to find as much lateral grip (0.90 g on the skidpad) and steering that feels the same as the coupe’s: quick and a bit lifeless.

    MORGAN SEGAL, THE MANUFACTURER

    The penalty is weight: a burdensome 246 pounds more than the hardtop Camaro SS (compared with the 174-pound gain of the Mustang GT’s convertible conversion). The topless Chevy’s punch-out times are thus delayed. The 60-mph mark arrives 0.3 second slower, at 4.9 seconds. A standing quarter-mile is covered in 13.4 seconds, almost a half-second longer than in the coupe. But the opportunity to enjoy the popping and sniffling of the 426-hp LS3’s exhaust through the open air on a warm evening  will be well worth the price to some. Speaking of  which, expect to pay an extra $5700 or so for the SS droptop privilege. Fully optioned SS convertibles reach into the mid-40s. Markets may crash, currencies may flutter, and reality-TV stars will come from New Jersey  to make us all look ridiculous, but America will always be exceptional as long as it has convertibles.

    MORGAN SEGAL, THE MANUFACTURER

    Specifications

    SPECIFICATIONS2011 Chevrolet Camaro SS convertibleVEHICLE TYPEfront-engine, rear-wheel-drive, 4-passenger, 2-door convertible PRICE AS TESTED$42,180 (base price: $37,500) ENGINE TYPEpushrod 16-valve V-8, aluminum block and heads, port fuel injectionDisplacement376 in3, 6162 cm3Power426 bhp @ 5900 rpm Torque420 lb-ft @ 4600 rpm TRANSMISSION6-speed manual DIMENSIONSWheelbase: 112.3 in Length: 190.4 in Width: 75.5 in Height: 54.7 in Curb weight: 4106 lb C/D TEST RESULTSZero to 60 mph: 4.9 sec Zero to 100 mph: 11.2 sec Zero to 140 mph: 23.5 sec Street start, 5-60 mph: 5.4 sec Standing ¼-mile: 13.4 sec @ 109 mph Top speed (governor limited): 155 mph Braking, 70-0 mph: 160 ft Roadholding, 200-ft-dia skidpad: 0.90 g FUEL ECONOMYEPA city/highway driving: 16/24 mpg C/D observed: 13 mpg
    c/d testing explained

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    Tested: 2006 Mercedes-Benz CLS500

    From the May 2005 issue of Car and Driver. There’s always one guy in a crowd of guys at the bar rail who will, while the group flips through pages of the latest swimsuit issue of Sports Illustrated, feign utter disinterest in what is obviously a particularly beautiful model while the other guys are raving about her. “Naw, she’s ugly,” he’ll say to the utter befuddlement of his friends. For whatever reason-maybe the model has one peculiarly long toe, a misplaced freckle, orange hair, a single tooth veering to the left-even a swimsuit babe in SI can fail to appeal to some guys. So what gives? What makes that one guy stray from the unanimous decision of the group?

    A similar phenomenon now arises with the introduction of the Mercedes-Benz CLS500. Most observers who witness its sleek body feel an immediate and strong physical attraction. This is a car you can’t help staring at, and maybe you want to run your fingers along the smooth sheetmetal, feel the glowing red of the taillights. Is it possible to caress a car? Yet there are those baffling few who peer at the CLS and vocalize disdain, not lust.For instance, a woman at a gas station remarked, “Your car has a droopy butt.” How’s that? Was she blind in one eye and unable to see out of the other? A man at a fancy mall told us, “I’ve never seen a Mercedes that wild. I don’t know, it’s pretty extreme.” Is the CLS, for a Benz, too radical? Naw. Like the guy scoffing at the swimsuit babe, some people are just wrong. The CLS is gorgeous. End of story.The CLS prompts a lot of gawking, mostly due to its startling styling. Passersby who can’t see its telltale badges will blurt out, “What’s that?” Retro comparisons will no doubt be made to ancient Rolls-Royce carriage styling, and someone may even see cues from that distinct 1980 Cadillac Seville’s “bustle trunk.” Mercedes refers to it as “the world’s first four-door coupe,” its gun-slit greenhouse more akin to that of a two-door. Perhaps there is some clever marketing going on here. Mercedes can test the styling waters with this single model, and should those waters prove rough, it could withdraw, no harm done.

    Highs: Stunning shape, stirring performance, stylish cabin.

    Nevertheless, because it has four doors, the CLS, at least by our definition, is without argument a sedan. This, however, will not prevent Mercedes from declaring the CLS500 a direct competitor to the two-door BMW 645Ci, which slots between the 5- and 7-series like the CLS does the E- and S-classes. The CLS500 and the 645Ci reside in the same price neighborhood, the former starting at $66,920, the latter at $70,595. Plus, dimensionally, they’re within spitting distance-the CLS, at 193.3 inches, is longer by a little over three inches and taller and wider by roughly an inch.Like the 6-series, which is based on BMW’s mid-size 5-series, the CLS borrows heavily from Mercedes’ bread-and-butter mid-sizer, the E-class, which donates over a third of its bits and pieces to this new car. Thus, the E500’s 302-hp, 5.0-liter V-8, seven-speed automatic, electrohydraulic four-wheel disc brakes, multilink Airmatic DC suspension, and 112.4-inch wheelbase are all present in the CLS500. The $8400 premium the CLS500 carries over the E500 gets you the new-dare we say swoopy?-styling, and 2.4 additional inches of width, a standard power sunroof, a 10-speaker audio system (versus a nine-speaker unit), and 18-inch alloy wheels (versus 17s) shod with 245/40s up front and 275/35s in the rear. Moreover, compared with the E’s five-seat interior, the CLS’s four-seat cabin (yep, no one has to ride the hump) is more luxurious, pampering its occupants with a leather-covered, French-stitched dash, large areas of burl walnut or laurel wood, and a tasteful dose of chrome trim bits. Rear-seat passengers get to plop down in seats that are more like buckets than a bench, and they’re treated to ample legroom and foot space, although headroom is 1.6 inches short of the E500’s. Otherwise, the CLS’s interior doesn’t seem noticeably smaller, nor does its trunk, which, at 16 cubic feet, is as accommodating as the E’s.

    Lows: The decklid badge is like a blemish on an otherwise perfect skin, electrohydraulic brakes still a few tweaks shy of perfection.

    So the CLS is beautiful inside and out, but how does it drive? Well, unsurprisingly, a lot like the E, but a notch sportier. The bigger wheels with meatier tires grab the ground for 0.87 g of adhesion, a big improvement over the 0.81 g put forth by the E500 [ C/D, November 2002], a car that seems more prone to understeer than the CLS. But even though it’s as grippy as its CLK55 AMG brother, the CLS500 is still not as tenacious as the 645Ci, which registered 0.94 g on the skidpad [“High-End Sports Coupes,” C/D, May 2004]. The CLS’s power-assisted rack-and-pinion steering feels less cumbersome than the E’s, as if it were feathered a step or two, delivering a deliciously light effort at low speeds but still a relatively firm, responsive feel as the digits climb. The ride is similar to the E’s, which is to say it can be elevated from plush to taut at the push of a console-mounted button. The adjustable Airmatic DC dampers offer three shock settings-comfort, sport 1, and sport 2-enabling the driver to tailor road feel to his or her mood. Whereas in the E the system sometimes feels as if the stiffest setting should be deleted and an even softer base setting should be added, in the sportier CLS the trio of choices seems perfectly appropriate. Much of the CLS’s sporty nature comes from sensations inside the cockpit. Aim your eyes straight ahead, and there’s no remnant of the severely sloped hood to impede your view of the road, not to mention an annoying three-pronged ornament as on an E-class. Peripherally, though, it’s a different story, in which the sharply raked A-pillars and low-slung roofline eliminate some useful sightlines. That said, the capsule-like feeling they impart does seem to convey a sense of speed. Outside or inside, the CLS feels clean and sleek, like a high-end sports coupe, er, sedan, should.

    The Verdict: A styling tour de force inside and out.

    At 4048 pounds, our CLS500 was burdened with 79 extra pounds compared with the E500 we tested in ’02. Yet armed with Mercedes’ new-for-2004 seven-speed automatic, it proved to be substantially quicker, ripping from 0 to 60 in 5.5 seconds, 0.3 second sooner than the five-speed E. (But a current E-class with the seven-speed would most likely match the CLS’s numbers.) The CLS500’s quarter-mile time comes in at 14 seconds flat at 100 mph, putting it ahead of the E500 (14.3 at 99) and just behind the 325-hp 645Ci (13.9 at 102). The Benz stopped from 70 mph in 162 feet. An E500 requires 181 feet, and a 645Ci, 169. Although powerful and fade-free, the brake-by-wire binders are not easy to modulate smoothly, often causing lurches even when we were consciously judicious with our pedal input. Mercedes has improved the logic of the electrohydraulic brakes since their inception in the current-generation SL-class, but the system is still not ideal. When it comes to the CLS500, it’s hard to imagine a car that is faster and better-looking, although AMG’s tuned-up CLS55 arguably accomplishes that feat. Nonetheless, the CLS500 is an eminently quick and sporty four-door. And it looks so fine, it begs the question: Do you really want to travel so quickly that passersby don’t even have a chance to feel envy? CounterpointWith the CLS came my first interaction with Mercedes’ Keyless Go, one of many systems that enable the owner to lock, unlock, start, and stop the car without ever removing the key from his or her pocket. Mercedes’ approach, however, incorporates major annoyance with this minor convenience. Open the door, and incessant beeping ensues while a message is displayed: “Don’t forget the key.” How could I forget it if it’s in my pocket? The same beeping and warning message happens when exiting the car, even though it’s impossible to lock the fob inside. My suggestion: “Warningless Go,” not the $1080 Keyless Go. —Dave VanderWerpI’m really torn about this CLS500. On one hand, I’m bowled over by its beautiful lines and grand interior. On the other hand, I’m not much for the chopped-and-channeled look that greatly restricts the view adults have from the back seat. The huge gap between the front doors and the C-pillar also bothers me. Despite the low roofline, however, the driver’s view is excellent and the car drives as well as the E500 on which it is based–it even seems to ride better. Still, I find something contrived about taking an E500 and dressing it up in haute couture. But if you love the look and have the extra eight grand, you’ll be happy with the CLS. —Csaba CsereThe CLS feels like the spiritual descendant of the coach-built cars from the first half of the 20th century. Back then you’d buy a powertrain and frame, carefully select your coachbuilder, work with the designers, and months later your creation would roll forth into your life. A high price ensured exclusivity, and your taste dictated the styling. Here we have the 21st century mass-produced version of this process. The CLS sports a couture design that shares much of its internals with the handsome, conventional E-class–an ideal starting place. The details of the CLS are unique, often flamboyant, and make the owner feel special. It’s this feeling that truly connects this modern car to its commissioned forebears. —Tony Quiroga

    Specifications

    SPECIFICATIONS
    2006 Mercedes-Benz CLS500
    VEHICLE TYPEFront-engine, rear-wheel-drive, 4-passenger, 4-door sedan
    PRICE AS TESTED$74,500
    ENGINE TYPESOHC 24-valve V-8, aluminum block and heads, port fuel injectionDisplacement: 303 in3, 4966 cm3 Power: 302 hp @ 5600 rpmTorque: 339 lb-ft @ 2700 rpm
    TRANSMISSION7-speed automatic
    CHASSISSuspension (F/R): multilink/multilinkBrakes (F/R): 13.0-in vented disc/11.8-in vented discTires: Continental SportContact 2, F: 245/40ZR-18 93Y R: 275/35R18 95Y
    DIMENSIONSWheelbase: 112.4 in Length: 193.3 in Width: 73.7 in Height: 55.2 in Passenger volume: 92 ft3 Trunk volume: 16 ft3 Curb weight: 4048 lb
    C/D TEST RESULTS60 mph: 5.5 sec100 mph: 14.0 sec130 mph: 26.4 secRolling start, 5–60 mph: 5.7 secTop gear, 30–50 mph: 3.1 secTop gear, 50–70 mph: 3.8 sec1/4 mile: 14.0 sec @ 100 mphTop speed (governor limited): 100 mphBraking, 70–0 mph: 162 ftRoadholding, 300-ft-dia skidpad: 0.87 g
    C/D FUEL ECONOMYObserved: 23 mpg
    EPA FUEL ECONOMYCombined/city/highway: 18/16/22 mpg

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    Best Car Audio Equalizers

    Fiddling with knobs and dials is a time-honored audiophile tradition. Being able to shape the ultimate sound profile is an essential part of customizing your music listening experience. Nothing brings hi-fi to mind more than the sliders and jumping lights of an equalizer, and there is no reason a good car sound system shouldn’t have the same amenities.
    In this article, we want to make it easy for you to add that high-level of control into your car’s audio. We’ll start by running through the terms and options and then show you a top 10 list of the best equalizers you can get. We’ll follow that up with some in-depth information.
    A Quick Guide to Car Equalizers
    As you upgrade your factory audio system in your car, you are going to reach a point where you will desire more control over the sound profiles. There are a handful of different devices that are all used to shape the sound, so let’s start by talking about why you would buy an equalizer over other components.
    The Benefits of an Equalizer
    The obvious benefit is that you can change how your stereo sounds in order to suit your taste. If you love bass, you can turn the bass all the way up and kill the highs. There are a few less obvious advantages, though.

    You can compensate for cabin noise. Car cabins present a lot of acoustic challenges. You can adjust the sound to better overcome the limitations of a car cabin.
    Equalizers often have amplifier outputs and can be used to convert the high-level signal from your head unit into low-level RCA.
    Many equalizers are also filters, crossovers, and/or preamps. In fact, some equalizers have an AUX input and can be used instead of a head unit altogether.
    They are often easier to use than settings on a head unit. Adjusting the fade on most stereos involves digging into the menu and finding the right buttons to press. Adjusting the fade on an equalizer requires moving the dial labeled “fade.”

    Choosing an Equalizer
    Choosing the right equalizer for your car is a fairly simple thing to do. That’s because they all do the same thing, so the biggest consideration often comes down to how they look and how easy they are to use.
    However, there are a handful of other considerations to help you narrow it down.
    Type
    We’ll go over them in-depth later, but there are a few different types of equalizers. The two most common are graphic and parametric.
    A graphic equalizer allows you to adjust everything by using a dial or slider. A parametric equalizer uses a preset shape, and adjusting the shape will adjust multiple frequencies at the same time. Graphic equalizers are simple to use but offer less customization, while parametric equalizers offer increased adjustability at the cost of a slightly more complex interface.
    Outputs
    Most cars have four channels. You have front left, front right, rear left, rear right, and sometimes a subwoofer. Make sure to get an equalizer that has enough outputs for your system.
    Bands
    A band is a range of frequencies that can be adjusted: the more bands, the finer the control. A 3-band equalizer will only give you bass, mids, and highs, whereas a 9-band equalizer will allow you to do things like adjust the low lows and the mid lows.
    Size
    Many equalizers are the same standard size. It’s called ½ DIN, and it’s half the size of a single DIN stereo spot. Many head unit install kits, as well as many factory dash kits, will have space for a ½ DIN component to be mounted. Other, non-standard-sized equalizers are meant to be mounted near the amps or under the seat.
    That’s about it for the basics. Most of the other features will vary greatly between devices, and we’ll explore them in the reviews. The final thing to keep in mind before we jump into it is that we choose ten equalizers that represent a variety of different styles and budgets. As you look through them, think about how they work and how they would look in your car. Let that guide you in order to speed up the process.

    Top 10 Best Car Audio Equalizers 2021

    1.

    Best Overall Equalizer: Clarion EQS755

    View on Amazon

    Why we like it: It’s high-quality, does everything you could want, and can work with almost any existing system.
    Editor’s Rating:

    Quick Facts:

    Type: Graphic
    Channels: Front, Rear, Sub
    Bands: 7
    Size: ½ Din (7”x1”x4”)

    The Best Part
    It’s a high-quality equalizer that does everything you expect it to do. That might not seem like high praise, but as you research, you will realize that it’s kind of rare that an audio component just functions exactly as you want it to.
    Almost all devices nowadays tend to pull towards a specific feature that makes them stand-out; they either emphasize looks or have some gimmick that forces them to make sacrifices in other areas.  The Clarion doesn’t do that, and it’s really refreshing.
    It has 6 channels of output, so you can run your entire system. It has 7 easily adjusted bands, so you can dial in the sound profile you are looking for. It’s a standard size and includes mounting brackets. It just works.
    Our Thoughts
    Clarion is a pretty well-known brand in the audio world. They aren’t as big as some of their competing Japanese brands like Sony or JVC, but they do continue the tradition of creating high-quality electronics. That means it’s really no surprise that the EQ they sell is such a sturdy and straightforward device.
    It is a little expensive compared to most off-the-shelf EQs, and it doesn’t offer unlimited control. However, if you are just looking for a good equalizer for your system, here it is. You don’t have to spend time adapting or researching, and that’s really valuable.
    Compared to Others
    We’ll keep this short. If you want to save money and don’t mind parts that rattle as you drive, get the Boss instead.
    If you want to have even more control, you will sacrifice ease of use but grab the Taramp’s Pro 2.6 instead.
    If you just want a good EQ that will work with whatever system you run, grab the Clarion.

    Pros

    Good fit and finish
    Great audio quality
    Very versatile

    Cons

    A little expensive for a 7-band EQ
    Is missing some filter settings you might want

    2.

    Best Budget Equalizer: Boss Audio AVA1210

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    Why we like it: This inexpensive equalizer gives you a lot of audio control without breaking the bank.
    Editor’s Rating:

    Quick Facts

    Type: Graphic
    Channels: Front, Rear, Sub
    Bands: 7
    Size: Size: ½ Din (7”x1”x4.6”)

    The Best Part
    The price is the best part of the Boss AVA1210. It’s fairly standard as far as equalizers go. There are nine bands, six channels, and blue lights. What sets it apart is that you can buy two of them for the same price as their competitor.
    Our Thoughts
    Boss is one of the biggest players in the budget audio world. They don’t make high-quality, precision devices, and they don’t claim to. They do make products that are perfect for people who want decent audio and aren’t’ swimming in cash.
    That has some drawbacks. They work, but you will feel the lack of precision. The plastic knobs rattle a bit, and the pre-installed wiring harness doesn’t inspire much confidence.
    You’ll notice it most in the audio, though. Without extensive shielding and better finish practices, it’s easy for interference to make its way into your system.
    At the end of the day, though, the price makes up for the flaws. Installing Boss head, equalizer, monoblock, and sub will set you back less than an average car payment, and your sound system will sound hundreds of times better than it will fresh from the factory.
    Compared to Others
    If you can afford it, and you are a little more serious about audio, the Clarion will last longer and has less risk of unwanted noise. Otherwise, there is another budget EQ that you can compare the Boss to, the Massive Audio EQ4.
    They both have all the important outputs, and they both are mild preamps. The massive doesn’t give you as much control over the sound profile, but it is very solidly built and easy to install. The Boss gives you a lot more options and has a lot more community support. Unless you value the simplicity of the Massive Audio EQ, the Boss will suit you just fine.

    Pros

    Inexpensive
    Good quality for the price
    Offers more profile control than similar products

    Cons

    Feels cheap
    Can introduce noise if not installed perfectly

    3.

    Best Premium Equalizer: DS18 KEQ30

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    Why we like it: You can easily spend days dialing in the absolute perfect sound profile with this massive 30 band equalizer.
    Editor’s Rating:

    Quick Facts

    Type: Graphic
    Channels: Mono
    Bands: 30
    Size: 10”x1”x7”

    The Best Part
    There exist people that will not be satisfied until the sound they are getting from their speakers is absolutely perfectly balanced to their taste. Those people need a device like the DS18 because nothing else will give them that level of control.
    To put it into perspective, a standard guitar amp has 3 EQ knobs. Your average radio has 5, and a majority of car audio equalizers have 7 bands. The DS18 has 30. Don’t like the high pitch finish from the high-hat in the live recording of Layla? Tune that specific range out and enjoy the rest.
    Our Thoughts
    This equalizer isn’t for everyone. It’s expensive, and chances are you’ll need two of them because there is only one left output and one right output. You’ll also want to pick up a noise filter to go with it because it doesn’t have one built-in. It’s a very unfriendly device that really is best suited for people who have a powerful need to mess with knobs.
    We really can’t stress the idea that this isn’t a straightforward device enough. It doesn’t have low-level inputs, and it’s too big to mount above a head unit. You have to think about all parts of the installation process.
    It is really high-quality, at least. Even the RCA inputs are better quality than most other equalizers; you will find a level of detail on the DC18 that you won’t find elsewhere.
    Compared to Others
    For 90% of people, the Clarion 7-band offers a perfectly adequate amount of control. It costs a lot less, and you only need one of them to tie in a complete audio system.
    Nothing offers the level of intuitive level of control that the DS18 offers, though. Some digital processors have more options, but they are much harder to use.

    Pros

    Has a gigantic number of tuning options
    High-quality
    Easy to use

    Cons

    Very expensive
    Difficult to install into a system

    4.

    Easiest Equalizer to Use: Massive Audio EQ4

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    Why we like it: This equalizer is small, simple, and couldn’t be easier to use.
    Editor’s Rating:

    Quick Facts

    Type: Graphic
    Channels: Front, Rear, Sub
    Bands: 4
    Size: ½ Din (7”x1”x4.125”)

    The Best Part
    The Massive Audio EQ4, an ironic name, is a simplified, easy-to-use version of all the large equalizers on our list. That’s awesome because it keeps the price way down and makes it accessible to anyone.
    That accessibility is two-fold. It’s easy to use because it’s simple, but it doesn’t make sacrifices on the input/output side. That’s a good thing because it means you don’t need to work harder to solve problems. If you want to plug in an amp for a sub, you just plug it in; no clever stack of adapters necessary.
    Our Thoughts
    Sometimes simple is perfect. It’s only a 4-band EQ, but that’s enough to dial in a general sound profile. What sets this EQ apart from other simple equalizers is that it has a full complement of high and low inputs and six channels. Some of the other inexpensive equalizers on our list lack an output for subwoofers, for instance.
    That being said, there are downsides to simplicity. You either will have to put up with unwanted noise because you want extra bass, or you will lose out on some bass response.
    There’s another issue. It depends on what stereo you already have, but most head units have at least a very modest equalizer. One of the best reasons to buy an equalizer is that you can get a better level of control than a factory stereo could ever offer. The Massive Audio EQ is so simple, though, that you may actually get more control from your existing head.
    Compared to Others
    Most likely, you will be trying to decide between the Boss EQ and this one. The Boss has a lot more control, and it lights up blue. It’s really close to the same price, so if you are just looking for more knobs and buttons than the Massive Audio EQ offers, get the Boss.
    The Massive Audio EQ is easier to install, easier to use, and has its own AUX input. It really comes down to what level of fiddling you want to do.

    Pros

    Very easy to install
    Easy to use
    Inexpensive

    Cons

    Lacks fine-tuning capabilities
    May produce unwanted noise

    5.

    Best Digital Signal Processor: Taramp’s Pro 2.6 S

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    Why we like it: Digital processors are a little more expensive and a little more complicated. However, they offer an amazing amount of control for a single device.
    Editor’s Rating:

    Quick Facts

    Type: Parametric w/ Presets
    Channels: Front, Rear, Sub
    Bands: 3
    Size: 8.2”x1.7”x4.8”

    The Best Part
    A digital audio processor is a lot more than just an equalizer. It’s sort of an all-in-one audio device that includes filters, phase switches, limiters, and tone generators in addition to being an equalizer. That makes them perfect if you want a lot of control over your audio signal without having to invest in and install a bunch of different devices.
    Our Thoughts
    Taramp’s is a newcomer in the car audio world. They build amps that compete with giants like JVC and Alpine, but the company is barely two decades old and was started in Brazil. They have been trying very hard to prove themselves as a company that provides great value, and it shows. This DSP, or digital sound processor, is one of the best bang-for-your-buck devices you can get for shaping in-car audio.
    What you don’t get from a DSP is simplicity. Everything is hidden behind menus, and there is a learning curve to using a parametric equalizer that other equalizers don’t have.
    It’s also expensive for an equalizer. It’s a good value, but it is on the pricey side. That means that if you just want a good equalizer, you will be spending more than you need to for something that’s harder to use.
    Compared to Others
    Like we said above, if you just want a simple equalizer, this isn’t for you. The Clarion EQS755 is a high-quality, easy-to-use equalizer that is much better suited for that purpose.
    Otherwise, there are a couple of their digital processors on our list: the Expert EQ, which has a pretentious name but is remarkable for being controlled from a smartphone app, and the Stetsom, which is super compact.
    Taramp’s DSP is the best all-around choice, though. That makes it perfect for people who don’t have any specific feature they need but want to buy something that will allow them to experiment with everything.

    Pros

    Has a ton of functionality
    It’s a great value
    Good quality

    Cons

    It can be hard to use
    Has a lot of features that most people won’t use

    6.

    Best High-Tech Equalizer: Expert Bluetooth

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    Why we like it: Not only does it offer an insane amount of control, but you can control it entirely with your smartphone.
    Editor’s Rating:

    Quick Facts

    Type: Digital graphic
    Channels: Front, Mid, Rear, Sub
    Bands: 46
    Size: 10”x1.5”x5.5”

    The Best Part
    The nicest thing about the Expert Electronics processor is that you get an insane amount of control over the sound profile. Everything about the device is dedicated to customizing the sound. You have a ton of output options, so you can customize speaker and amp configurations. The equalizer portion of the processor has a whopping 46 customizable bands, and in addition to being an equalizer, you can also add filters, gain, and a variety of other effects.
    Our Thoughts
    This digital processor is an entire sound studio in a small black box, and that’s amazing. You just need to be aware that there’s nothing simple about any of it. There is a dial on the face of the device, but there are hundreds of settings to scroll through and adjust. That leads you into using the app instead, which is easier to use, but there’s still a ton of settings.
    The complicated usage is made worse by the fact that the documentation that comes with the device is bad. If you aren’t familiar with things like pass-filter and parametric curve, the instructions certainly aren’t going to help you understand.
    People who do understand what all those extra features do will be pleased with the amount of control, though. Instead of having to link in a bunch of different separate devices, you can just throw this in and call it good.
    Compared to Others
    There isn’t anything that offers as many different controls as this device does, but the Stetsom STX is also a Bluetooth capable audio processor. If Bluetooth connectivity is important to you, and you want something a bit easier to use, the STX is great.
    The real reason you’d avoid the Expert Electronics processor is that you don’t need all the extras. A Boss AVA1210 is a fine equalizer that doesn’t require you to spend hours learning to use it.

    Pros

    Offers a ton of features
    Gives you a lot of profile control
    Can be controlled with your phone

    Cons

    It’s very complicated
    The app and instructions could be more helpful

    7.

    Best Passive Equalizer: SoundXtreme 7 Band

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    Why we like it: There are two things we really like. The first is that it uses easy to visualize sliders instead of knobs. The second is that it operates at very low power, making it perfect for smaller sound systems.
    Editor’s Rating:

    Quick Facts

    Type: Graphic
    Channels: Front, Rear, Sub
    Bands: 7
    Size: Size: ½ Din (7”x1”x4.6”)

    The Best Part
    Almost all modern equalizers use compact dials for setting the levels, which is fine, but it lacks the tactile satisfaction of classic slider-based equalizers. The SoundXtreme device bucks the new tradition and brings those classic sliders into the automotive world.
    It’s also passive. That means that you don’t have to tie it into a power source; you just install it between the head and the speakers.
    Our Thoughts
    Let’s start with the bad this time. It being passive means that you don’t get any extras. No power boosting, no extra preamp outs, no displays, just a handful of sliders. It’s great if you have a smaller or older audio system in your car, but you’ll probably miss some of those features if you have a modern system.
    The other issue is that the quality isn’t very high. One of the things we really love is how the equalizer feels old-school. Unfortunately, part of the reason it feels so classic is that the quality is pretty low. It’s very reminiscent of electronics from the 80s. The cheap plastic and thin wires would be right at home in a Fiero but are a little lacking for modern systems.
    That being said, we do love how easy it is to use and appreciate that they kept it simple and good looking. Looking at it, you know what it is and how to use it. That’s a nice change of pace in the digital world.
    Compared to Others
    The Boss Audio AVA1210 is about the same price, has the same level of control, and also has high-level outputs. The big difference is that the Boss is a modern, powered equalizer that fits right into current systems.
    It doesn’t look as good, and it needs power, though. You’ll have to decide if the intuitive and classic design of the SoundXtreme is worth it.

    Pros

    Passive EQ is good for older systems
    Sliders are easy and intuitive to use
    Has a very classic look

    Cons

    Low on features
    Not very good quality

    8.

    Best Looking Equalizer: Audiopipe 5 Band

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    Why we like it: The Audiopipe 5 Band has its own bezel and mounting system so that you can seamlessly integrate it into your dashboard.
    Editor’s Rating:

    Quick Facts

    Type: Graphic
    Channels: Front, Rear
    Bands: 5
    Size: ½ Din (7”x1”x4”)

    The Best Part
    Call us vain, but we love devices that are more than just a purely functional piece of equipment. This Audiopipe looks like a piece of factory equipment. The flush mounting and trim bezel allows you to simply slide it into a DIN slot underneath a radio or dash pocket and have it look great. To top it off, the dials light up blue so you can scoop the mids in the dark.
    Our Thoughts
    Behind the fancy faceplate, the Audiopipe is just a standard equalizer. We wish it had a subwoofer output, and we wish it had a little bit more control options, but it works just fine. It’s also on the less expensive side, which is always a plus.
    Really the entire reason this device is on the list is because of how easy it is to install and look good. It doesn’t need to be more than that.
    Compared to Others
    The Audiopipe equalizer sits below the Boss AVA1210 and Massive Audio EQ4 in terms of functionality. They all cost about the same, so you just have to choose which feature is most important to you.
    People who want a lot of control over the sound will prefer the Boss, while people who still want something simple but want a sub output should go with the Massive Audio.
    If you don’t need the extra complexity and want something that looks great, though, the Audiopipe is perfect.

    Pros

    Looks great
    Easy to install
    Inexpensive

    Cons

    Lacks a subwoofer output
    Has few features

    9.

    Best Equalizer Alternative: Pioneer AVH-200EX

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    Why we like it: Instead of dealing with the complication and frustration of adding in another component, you can simply buy a decent head unit that has its own robust equalizer.
    Editor’s Rating:

    Quick Facts

    Type: Digital with multiple modes
    Channels: Front, Rear, Sub
    Bands: 13
    Size: Double Din (7”x4”x6.5”)

    The Best Part
    Chances are that you are looking at getting an equalizer because you want better sound quality from your car stereo. Better sound quality starts with the head unit, though. If you are going to be upgrading your stereo, you spend a little bit more on the head unit and get one with an equalizer rather than spending extra money on a separate equalizer.
    Our Thoughts
    Pioneer is an industry leader in-car audio, and their AVH series head units are absolutely great. If you want, we have an entire write-up about touch screen head units, so you can have more options than just this Pioneer. It’s really hard to beat the Pioneer, though.
    There are a couple of reasons to avoid going this route. If you already have a good head unit, it doesn’t make sense to spend a ton of money to get a new one when a relatively inexpensive equalizer would be fine.
    That leads to the second problem: it’s pretty expensive. It’s very convenient to have a head, equalizer, and preamp in one device, but it would be cheaper to source all the parts separately.
    Compared to Others
    The equalizer itself is very competent. You could easily compare it to Taramp’s Pro parametric equalizer in terms of ease of use. The Pioneer’s equalizer has even more fine-tuning potential, though, since you can adjust ranges individually in addition to adjusting the curves.
    Like we mentioned above, the cost is the biggest drawback. If you already have a decent head unit, the Clarion 7-band EQ is a great equalizer, and it’s far less expensive. However, anyone that’s also looking to upgrade their head unit will love this Pioneer.

    Pros

    High-quality
    The integrated equalizer is easy to use and fine-tune
    The integrated equalizer keeps things compact

    Cons

    It’s expensive
    Not very useful if you already have a good head unit

    10.

    Best Compact Equalizer: Stetsom STX 2436

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    Why we like it: It operates entirely by Bluetooth, which means there are no dials or knobs taking up space.
    Editor’s Rating:

    Quick Facts

    Type: Parametric/Preset
    Channels: Front, Rear
    Bands: 15
    Size: 2.9”x1.3”x4.3”

    The Best Part
    Easily the best part about this little processor is that you get a ton of control from a tiny box that can be mounted almost anywhere. It’s less than half the size of most equalizers, but that’s actually not what makes it so easy to install into any system.
    Since you don’t have to physically access this device, you can install it anywhere. You can hide it under a seat, behind a dash panel, or under the glove box. If space is at a premium, it’s the perfect solution.
    Our Thoughts
    On paper, this thing is awesome. You get a lot of audio control from a tiny box, and since it’s driven by the Android operating system, it’s easy to use.
    There are just a handful of issues that prevent it from being great. It is easy to use, just as long as you are willing to decipher the language. The menus, documentation, and even the marketing content are all written in some kind of English hybrid.
    It’s also just not as high-quality as the price would suggest. Stetsom chose to include a ton of features over using more durable materials. That means you risk a little bit of line noise, and it probably won’t survive being drop kicked.
    Compared to Others
    There are two other high-tech gadgets on our list, and both are of better quality. That seems harsh to say, but we want to be honest. The Expert 6ch is also fully controllable using a cell phone, and the Taramp’s Pro offers a lot more functionality.
    However, everything else on our list needs to be installed in a spot you can easily access. This Stetsom device doesn’t. It doesn’t matter how good a different device’s quality is if you don’t have room to install it.

    Pros

    Can be installed in hard to reach spots
    Very compact
    Android app is easy to use

    Cons

    There are some language issues
    Quality could be better

    A Closer Look at Equalizers
    Welcome to the in-depth section. Here we’ll break down some of the bigger differences between devices as well as give you some tips and tricks to get the most out of your experience. First, though, there are a ton of audio terms used throughout this article.
    You may have heard most of them before, but just in case you haven’t, we’ll start by defining them.
    Glossary of EQ Terms

    Channel: Each separate audio signal is called a channel. The easiest way to understand is to look at a pair of headphones. Stereo headphones have a left and a right channel.
    Crossover: A crossover is a device that splits a single audio signal into multiple signals based on their frequency.
    DSP: Digital Sound Processors are devices that are active equalizers, crossovers, and often feature more advanced capabilities like the ability to add effects to the sound.
    Fade: The balance between the front and the rear channels is known as fade. The balance between the left and right channels is usually just called balance.
    Filter: Filters only allow certain frequencies through. A high-pass filter will cut out low frequencies sounds, a low-pass filter will cut out the high frequencies, and a variable filter can be adjusted to remove a range of frequencies.
    Head: The stereo receiver, or head, is the face of your audio system. It’s usually responsible for generating the audio signal, and they are often the first thing you upgrade when you upgrade your audio.
    High-Level: High-level inputs and outputs are your standard speaker, or line, level signals. Your factory audio system uses high-level outputs to connect the speakers to the head unit.
    Low-Level: Low-level outputs are found on preamps and other similar devices. They are almost always RCA connections, and you need them in order to connect to larger amplifiers and other high-end audio components.
    Profile: The sound profile, sometimes called the shape or signature, is the way certain frequencies come through when you hear the sound. You adjust the profile by changing the emphasis on certain frequencies.

    Equalizer Types
    We mentioned two different types of EQs in the intro, but there are actually a lot more. You can read about all of them in this great article, but generally, for car audio, you are only going to be dealing with a few different styles. You can break them down into four main categories.
    Digital vs. Analog

    When you think of an equalizer, you probably imagine moving dials or sliders that correspond to frequency ranges. Those are analog devices. Often when you rotate a dial on an analog EQ, you are physically moving a potentiometer that is directly tied into the signal.
    A digital EQ uses a processor to change the signal for you. You will have to rely on a display that represents the audio profile rather than direct interaction. Digital EQs do have a handful of advantages. They often have presets, so you can select “rock” if you are listening to rock music. They can also function as multiple different types of EQ; many have both a graphic mode and a parametric mode.
    Ultimately it’s about the feel. Some people prefer the tactile feedback that something like the Boss Audio AVA1210 physical knob gives them, while some people would prefer to see the readouts on a screen with an EQ like the Taramp’s Pro 2.6 S.
    Parametric vs. Graphic
    Most of the time, when you think of an equalizer, you are picturing a graphic equalizer like our top overall pick. Those are the ones with a bunch of dials, and each dial corresponds to a specific frequency. If you want to turn the bass up, you find the dial with lower numbers and turn it up.
    A parametric equalizer like the Stetsom STX 2436 is a lot more complicated. To simplify it, think of a graphic equalizer that can control one thing: the volume of a single frequency range. A parametric equalizer can shape not just that single frequency range but also the frequencies affected by that frequency, and it can change the tone entirely by bringing out specific frequencies inside the range.
    The parametric EQs we have on our list are all semi-parametric; you don’t have infinite control. It is still a ton more than a traditional graphic EQ, so you have to decide if you want that extra complication or not.
    DSP
    When you look for equalizers, you will also run into digital signal processors like Taramp’s Pro 2.6 S. A DSP is an equalizer; it’s also a lot of other things. Think of them as tiny computers that you plug your stereo into. Using a digital processor to do the bulk of the work that an analogy circuit would have to do, you can save a lot of space and control more.
    Getting the Most Out of Your Car Audio Equalizer
    The following are some simple tips on getting the most out of your new EQ. If you want to take a really deep dive into the settings, check out this article by Digital Trends.

    There’s no such thing as the perfect EQ, only what you like the best. Don’t feel like you have to turn up the bass.
    Beware of clipping. Clipping is what happens when a frequency cuts out because the volume is higher than the speaker can handle, and it adds distortion to your music. It’s often better to turn other frequencies down rather than turn one frequency up.
    Don’t be afraid of presets. It’s not as much fun as messing with the dials, but they can offer a great starting point.
    Use a high-quality source to set your EQ. Things like AM/FM radio do not have the frequency range to adequately reflect the EQ settings. If you can, play a high-bitrate MP3 or FLAC file directly from a USB, DVD, or your phone over AUX.

    Wrapping Up

    If you are like us, you probably spend tons and tons of time building the perfect music playlists to listen to while you drive. It only makes sense to be able to tweak your car’s audio system to better fit that playlist and get the most out of your listening experience. Plus, who doesn’t like to mess with a bunch of dials and pretend you are mixing a new single? More