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The BMW 2002 launched the brand’s sport-sedan reputation, and the 2002tii model is its ultimate expression.This 1974 2002tii benefits from extensive work, some of which moved the car away from stock but should pay dividends in drivability.This Bring a Trailer auction ends August 31.Car and DriverFrom the outside, there is something severe about the restrained styling of a classic BMW 2002. This all-black example manages to be almost clerical in spirit, like a priestly cassock or nun’s habit, all clasped hands and pious intent. But, as former Car and Driver editor David E. Davis, Jr. once wrote, “Turn your hymnals to Number 2002 and we’ll sing two choruses of Whispering Bomb.” A 2002tii is not for saints but for us speedy sinners. Bring a TrailerToday’s pick over at Bring A Trailer—which, like Car and Driver, is part of Hearst Autos—is a 1974 BMW 2000tii achingly beautiful in black and chrome. Its subtlety and simplicity stand in stark contrast to the marque’s current lineup, which ranges from overwrought coupes to the XM SUV, the latter’s colossal twin grilles lending it an uncanny resemblance to Pumba from The Lion King.Related StoriesA 2002 is as meerkat to the warthoggy XM: light, elegant, deft. This nimble little car charmed the pants off Davis, to the extent that his 1968 review of the 114-hp carburetted version stands as one of the great automotive reviews of all time.“To my way of thinking, the 2002 is one of modern civilization’s all-time best ways to get somewhere sitting down. It grabs you.”Bring a TrailerThe tii suffix on this 1974 2002 indicates further zip under the hood, thanks to Kugelfisher mechanical fuel injection. So-equipped, the fizzy little 2.0-liter four-cylinder engine is good for 125 horsepower and 127 pound-feet of torque, rasping its merry song out of a stainless-steel exhaust. It’s paired with a five-speed manual from a later car and a limited-slip rear differential. Testing a 2002tii, Car and Driver’s Patrick Bedard, wrote:No matter how you try, you can’t help but like it. It is the essence of motoring truth: no strobe stripes, no phony teardrop racing mirrors, no triple turret taillights. Just finely honed machinery in the simplest steel and glass case. And it works. It handles—with the agility of a pro flanker back—and the fuel-injected engine can make the parson breathe hard. Bring a TrailerBeing a 1974, this example has the square taillights of the later 2002 models; enthusiasts of the breed may argue that the earlier round taillights are a little prettier (although the earlier chrome bumpers have been retrofitted). Mere quibbling, as the car is so well-sorted. Recaro seats and a Nardi shift knob and three-spoke steering wheel enhance a clean and spartan cockpit. Bilstein shocks and 13-inch Gotti wheels keep the footwork light and lively. Bring a TrailerPlenty of recent servicing has been performed by the previous owner, including a new aluminum radiator, fuel and water pumps, and various bits of the ignition system. The stainless steel exhaust is also new and should provide an excellent soundtrack for a weekend’s backroad flogging.Bring a TrailerWhich, should you have the winning bid on this lovely 2002tii, is practically a commandment. Contributing EditorBrendan McAleer is a freelance writer and photographer based in North Vancouver, B.C., Canada. He grew up splitting his knuckles on British automobiles, came of age in the golden era of Japanese sport-compact performance, and began writing about cars and people in 2008. His particular interest is the intersection between humanity and machinery, whether it is the racing career of Walter Cronkite or Japanese animator Hayao Miyazaki’s half-century obsession with the Citroën 2CV. He has taught both of his young daughters how to shift a manual transmission and is grateful for the excuse they provide to be perpetually buying Hot Wheels. More

The Quail bills itself as “A Motorsports Gathering,” but it’s really something more. Oh, sure, there are historic racing cars and other vintage classics on display, but with the event now in its 20th year, that focus clearly has changed, and today The Quail has emerged as a contemporary auto show. It is not, however, a mainstream auto show, a dying medium that carmakers increasingly are fleeing. Big motor shows in the U.K., France, and Switzerland have been canceled (Geneva’s having been moved to Qatar), and others, such as Detroit, languish on life support. By contrast, The Quail has been embraced by automakers because it aligns perfectly with a key reality: The automobile business has entered a new Gilded Age.We can identify two forces driving that trend, one longer-acting and one more recent. The more recent catalyst was the COVID pandemic. It caused supply shortages—particularly of the silicon chips that are critical to so many automotive systems—that spurred carmakers to craftily rejigger their offerings and production plans, focusing on high-dollar, high-margin vehicles to squeeze maximum profit from reduced output. And it worked. Set that against an economic backdrop that has seen the richest members of society grow their wealth at a rate far outpacing everyone else, and you have turbocharged growth at the very highest echelon.Related StoriesIndeed, after electrification, the biggest trend in the new-car space is this increase in offerings at the very top of the market and a concurrent shift upmarket for the mainstream luxury brands. In the first case, that would be the wave of supercars and specialty products, not just from traditional players (Aston Martin, Bugatti, Ferrari, Koenigsegg, Lamborghini, McLaren, Mercedes-AMG, Pagani) but also from a host of relative newbies (BAC, Czinger, Gordon Murray Automotive, Hennessey, Pininfarina, Rimac, Zenvo, et al.). In the onward-and-upward corner, think BMW, Cadillac, Lotus, Mercedes-Maybach, Range Rover, and even Genesis. And perennial top-enders Bentley and Rolls-Royce have joined in by rolling out new offerings with prices that are streaking skyward.Courtesy photo RolexA Festival of WealthNowhere is this reach-for-the-stars’-wallets trend more clearly on display than during mid-August, during Monterey Car Week. That week under the Californian sun and stars historically has been anchored by the big Sunday concours at Pebble Beach and the historic racing at Laguna Seca (the annual happening’s initial raison d’être at its launch in 1950). But The Quail, held at the Quail Lodge and Golf Club in Carmel on the Friday and hosted by the Peninsula Hotel Group and a bevy of blue-chip sponsors, stands out as a singularly shiny emblem of the new business reality. A festival of wealth, if you will. To begin with, The Quail costs $1000 to get in, which begets a certain type of instant exclusivity. Children are few, while champagne, caviar, and costly togs are everywhere to be found. Excluding scattered schleppers from the Fourth Estate and jetloads of stylish influencers brought in by car-company hosts to bask in that rich-for-a-weekend feeling, plus the event’s copious support staff, the 5000 people who paid big money to be here make for a most happy hunting ground, a sort of curated game park, for purveyors of luxury goods, whose number in many years will include not just automakers but makers of helicopters, private jets, and pricey watches. Czinger’s stand at The Quail.Joe Lorio|Car and DriverFollowing the story wherever it leads, Car and Driver soldiered out to The Quail again this year and slipped into appropriate gear for a day spent swanning around the manicured golf course lawns that accommodate the day’s events. With colleagues Joe Lorio, Elana Scherr, and Dave VanderWerp, we spoke to several carmakers about the Quail’s big day and the Monterey Car Week of which it is a part as well as the reasons for their religious attendance, changes in the market, the thinking behind their presence, and where it’s all headed.McLaren Solus GT.Simari Photography LLC|Car and Driver”A Fantastic Environment”Alex Long, global head of market and product strategy for Aston Martin, said the 110-year-old British carmaker wouldn’t dream of missing The Quail. “You and your best clients are all together in a fantastic environment where they can be relaxed, circulate amongst the cars, meet key people from the OEM—the designers, the engineers—and really interact with them. It allows people to spend longer with you and spend more time talking with you. I think Pebble and The Quail in particular are the global benchmark for that.”Rolls-Royce North American CEO Martin Fritsches amplified the thought, putting it in the context of the company’s overall strategy of increasing customer engagement. “We don’t only sell products. More and more we’re selling experience.” The Quail, with its self-selected audience and air of heightened luxury, is a natural for further engaging with customers, old and new. “Obviously, we’re trying to be closer to our customers. They want to hang out with us, and through us also mingle with their peers.” Toward that end, the company offers an app, “Whispers,” which permits owners not only to be in touch with Rolls-Royce but other owners. “We have been realizing, particularly in the last two years, that more and more of our patrons, as we call them, enjoy our presence here and being part of the Concours but also enjoy our space and hospitality. So that’s one of the main reasons why we continue to invest here and dedicate valuable time to them.” Underscoring the point, on its show stand at The Quail Rolls staged the North American debut of its first EV, the new Spectre coupe (base price $422,750, although most are expected to transact around $500K). Lamborghini Lanzador concept.Simari Photography LLC|Car and DriverCurating an Experience for BuyersIt’s not just OEMs that have a presence here. Matt Boguradzki is director of sales and marketing at the O’Gara dealership group, one of the nation’s largest sellers of ultra-luxury cars, with showrooms in Beverly Hills, Westlake, and San Diego. Speaking behind O’Gara’s spacious stand lined with extra-custom McLarens and a Porsche 911 art car, he outlined his employers’ goals. “We’re exploring ways to create this global community of people because O’Gara is a super brand. Ours is a luxury house. And as we position ourselves into the future, everything we’re focused on now is really about that brand experience, curating coachbuilt and one-off bespoke experiences wherever and whenever we can, offering our community the best cars and best experience.” Fostering a personal connection with buyers is, of course, a recurrent theme. And with so few buyers in absolute terms in the market for cars that might cost half a million dollars or more, meeting with them one on one is not an impossible task. However, Cristina Cheever, senior vice-president for Robb Report, which organizes many luxury events and trips for its most affluent readers, cautioned it must be done right. Courting the hyper-wealthy, she explained, “is about engaging on a very intimate, one-on-one level. Secondly, it’s providing them with everything that you think they might have thought they needed during that day, whether it’s the food, the wine, or the chairs they’re sitting in. The hospitality has to be right, from the cars they drive to the bubbles in their glass, and then, who else is in the room? Put interesting people in the room that people can have access to. That’s a home run.” Pagani Utopia.Joe Lorio|Car and DriverBrand Houses For some carmakers, a reviewing stand at The Quail is not enough. Several carmakers rented showpiece luxury homes of the sort that dot the nearby Pacific Coast environs and Pebble Beach’s famed 17 Mile Drive. Over the course of the week, they invite customers to come, er, chill with them in places guaranteed to make you jealous. Casa Ferrari, Range Rover House, Zenvo House, the House of Maserati, and the House of BAC were among them. In Pebble Beach, Aston Martin’s Club 1913 (celebrating the year of the brand’s establishment) showcased the new $800,000 Valhalla hypercar and developments in VR technology. And Mercedes erected its pop-up Star Lounge (nearly the size of a city block), filled with the Vision One-Eleven concept (a C111 tribute) and new models including the just-launched 2024 Mercedes-AMG GT coupe, while old-timer classics from its Classic Center stood sentinel out front. So much value could be found in maintaining nearby brand houses through the week that some makers, notably Ferrari and Land Rover, eschewed stands at The Quail in favor of showpiece houses worth eight figures.The Mercedes-Maybach popup at Pebble Beach.Joe Lorio|Car and DriverReportedly, more than 500 Ferrari customers turned up at Casa Ferrari during the week. That’s a healthy percentage of all the storied marque’s owners—even taking into account the brand’s record 13,221 sales in 2022, an almost 20 percent spike from its record in 2021[. On display at Ferrari’s humble Casa: the SF90 XX (starting price: $844,000) and the 812 Competizione, for which you’d spend a minimum of $601,570 if you could get one, but you can’t because it’s sold out. “Why do we come to places like this?” began Joe Eberhardt, president and CEO of Jaguar Land Rover, as, cocktails in hand, we repaired from the massive decks overlooking the Pacific to a sheltered patio area of JLR’s modern masterpiece home for the week. Nearby, hummingbirds toiled alongside a butterfly tree, and a dinner table for 50 was being laid. “You can engage with your clients in a very different way here,” Eberhardt explained. “I was walking around The Quail today, and I wouldn’t want to be there. Seriously. Because people don’t interact with a brand there, they stand in line to get a glass of champagne or whatever, then they’re trying to look at some cars for two minutes, then some other cars on another stand, and the dwell time is just not there. Then at some of the other homes or houses, it’s all just very hectic. But then you can come here, and people spend six hours here, they’re just relaxed, they sit back and you can build a relationship, really get to know them.”Maserati MCXtrema.Courtesy photo RolexDucking into the House of Maserati, following a quick snack of ricotta-stuffed fried zucchini blossoms served by an Italian chef who clearly knew his craft, we sat down with Bill Peffer, head of the company’s North American arm. The former Nissan and Kia executive was pumped by the sold-out Maserati MCXtrema, which had its public coming-out party at The Quail. Thirty-one of the 62-unit commission (62 being the exact number of Ferrari Enzo–derived MC-12s built in 2004–05) have been sold to Americans, and they’ve all been invited here to have a look at a rolling buck of the car for which they’ve all already put down a substantial deposit against a $1-million-plus price for a car that will be finished sometime next year. Peffer offered the following observation: “Customers have wealth. They want something that’s unique. They want something that’s bespoke. They want something that no one else has, and they’re willing to pay for it.”Leaving Maserati, we bump into a small delegation arriving from Lotus, who are out and about exploring brand houses as they prepare to move their own brand upmarket, an effort begun with the $2-million-plus all-electric Evija, first shown at The Quail in 2019. A brand house during Car Week might be the next step in Lotus’s showgoing evolution, although, with some cheaper (though hardly cheap) volume models such as the Eletre SUV coming to market, Lotus will pursue a multi-pronged strategy.Lotus Type 66.Simari Photography LLC|Car and DriverFinding a Focused Audience”We’re working toward selling 150,000 cars by 2028. We sold 567 last year, so it’s a big jump,” Lotus Group chief commercial officer Mike Johnstone acknowledged with a smile a day earlier at The Quail. “For us, auto shows still play an important role, but maybe different shows play different roles. Events such as this give us a great way to get in front of a very specific, focused audience. You can see there’s an absolute love here of car culture. And there’s an interest in our history and our heritage. Take for example the launch here of the Type 66 [a batch of 10 Can-Am racers designed in period by Colin Chapman’s team but never built, until now, at around $1.3 million apiece]. “I’m sure some inquiries will come off the back of it because it’s the first time we’ve actually shown it to anybody. Equally, we will still attend some of the bigger auto shows as well. If you take the aspiration to get to 150,000 when we’ve got relatively low brand awareness in some markets, it’s important that we get to as many people as possible. And auto shows play a role, particularly for people that are in the market for a large SUV like the Eletre.”Eric Neville, Cadillac’s associate marketing director, agrees a mix-and-match approach is right for a brand that, while hoping to go much further upscale, is still rooted in the upper middle classes. “What we’re seeing is that luxury customers and luxury auto enthusiasts are interested in a variety of events including concours, private events, and experiences based on brand partnerships as well as certain auto shows. It’s all about finding the right mix so our audience sees Cadillac as aspirational but not unrelatable.”Bentley chairman and CEO Adrian Hallmark reckons his company’s drive further up-market has been significantly aided by “a massive COVID effect.” That is a devil-may-care abandon that followed on from persons of means feeling like, ” ‘I don’t know what’s going to be on the other side of this, I don’t know how long I’m going to live, I don’t know whether the pandemic will end, I don’t know if there will be another one after it. It’s not consequential if I spend another $30,000 or $50,000 to get what I really want. And I may as well have what I really want.’ ” We couldn’t agree more, especially the part about having what we really want. Bentley Bentayga EWB Mulliner.Joe Lorio|Car and DriverBeyond mainstream luxury offerings like the Bentayga SUV (a $339,150 extended-wheelbase Mulliner version of which debuted at The Quail), Bentley also figures buyers will want toys like the Blower Junior, a $115,000 85-percent-scale EV replica of the 1929 original (which itself just completed a 12-unit continuation run at $2.1 million per). The company has done a complete about-face on its mix of special orders versus buying from stock. Where sales from stock once constituted 90 percent of volume, now fewer than 10 percent of customers take delivery from stock, with 90 percent of sales built to order. So, heightened patience, apparently, is another COVID hangover.When Money Is No ObjectThe question of how high is high also arises. Is there no limit to what rich folk are willing to spend? From the looks of it, not. Speaking at the debut of the custom-built Droptail roadster (a bespoke two-seater, only four of which will be built, with price tags rumored to approach $30 million), Rolls Royce CEO Torsten Müller-Ötvös stated that, for clients commissioning one of the brand’s “coachbuild” cars, “Money is never in any way a limiting factor.”Pininfarina B95.Simari Photography LLC|Car and DriverIt certainly isn’t limiting the market’s appetite for supercars—or their even more stratospherically powered and priced analogue, hypercars, plenty of which were on display at The Quail. There, Danish boutique automaker Zenvo debuted the 1450-/1850-hp Aurora. Jen Sverdrup, Zenvo chairman and chief commercial officer, points to the entry by mainstream super-sports-car makers into the hypercar space in the mid-2010s (with the Ferrari LaFerrari, the McLaren P1, and the Porsche 918 Sypder) as having a catalyzing effect. “It used to be extreme car guys that were into it,” he says, “then it became more of a lifestyle scene.” He also acknowledges a macro tailwind: “The recent increase in billionaires—that helps us.”With some EV hypermachines sporting 2000 horsepower, Rouven Mohr, chief technology officer for Lamborghini, doubts that today’s insane horsepower wars are sustainable, but he doesn’t foresee the market slowing down. “There will always be people that are looking for, let me say, dramatic, more involving cars,” he says. “People that have this kind of wish are not disappearing. “Rimac Nevera Time Attack.Simari Photography LLC|Car and DriverAs for events like The Quail, which he attends each year, McKeel Hagerty, CEO of Hagerty, the world’s largest insurer of classic cars, says he is confident they will continue as well. “These events are flourishing, and they’re not just flourishing in the U.S. but flourishing around the world. It’s becoming less transactional and more about the lifestyle. The best thing about these events is they allow an OEM or a lifestyle brand or even designers to interact directly with their end-user customers. That’s why it works, and frankly, it’s fun. And compared to regular auto shows, the food is better.”Certainly, there’s more caviar. Contributing EditorJamie Kitman is a lawyer, rock band manager (They Might Be Giants, Violent Femmes, Meat Puppets, OK Go, Pere Ubu, among his clients past and present), and veteran automotive journalist whose work has appeared in publications including _Automobile Magazine, Road & Track, Autoweek, Jalopnik, New York Times, Washington Post, Politico, The Nation, Harpers, and Vanity Fair as well as England’s Car, Top Gear, Guardian, Private Eye, and The Road Rat. Winner of a National Magazine Award and the IRE Medal for Investigative Magazine Journalism for his reporting on the history of leaded gasoline, in his copious spare time he runs a picture-car company, Octane Film Cars, which has supplied cars to TV shows including The Marvelous Mrs. Maisel, The Americans, Halston, and The Deuce and movies including Respect and The Post. A judge on the concours circuit, he has his own collection with a “friend of the friendless” theme that includes less-than-concours examples of the Mk 1 Lotus-Ford Cortina, Hillman Imp, and Lancia Fulvia, as well as more Peugeots than he is willing to publicly disclose. More

Rolls-Royce has revealed the second limited-production Droptail, after unveiling the first unit, called La Rose Noire, at Monterey Car Week.This Droptail, called Amethyst, draws inspiration from the purple gemstone with an ethereal paint job and real amethyst in the gauge cluster.It also features swaths of open-pore wood and purple-tinted carbon fiber.This month at Monterey Car Week, Rolls-Royce pulled the covers off of an exclusive new convertible, the Droptail. Only four units of the V-12–powered two-door will be built, each with its own unique theme. The first example, called La Rose Noire, was painted a deep, seductive shade of red while the cabin featured 1063 pieces of wood trim in a geometric pattern. Now Rolls-Royce has revealed the second Droptail, named after the gemstone amethyst, that exhibits an exquisite purple paint job, acres of open-pore wood, and actual amethyst gems.Rolls-Royce hasn’t published a price for the Droptail, but a previous bespoke project, the Boat Tail, cost north of $20 million. According to Rolls-Royce, the unnamed client ran a gemstone boutique before expanding into a multinational corporation. The customer collects jewels (along with cars and artwork) in their own private museum, so we imagine the multi-million-dollar price tag wasn’t a problem for this privileged individual. Amethyst is their son’s birthstone, serving as inspiration for the purple tones throughout the car.The elegant paint job, however, draws upon the globe amaranth wildflower, which Rolls-Royce says “blooms in the desert near one of the client’s homes.” The light purple body features flecks of powdered aluminum to create a glistening finish while the hood is a darker hue, the contrast meant to represent different stages of the flower’s bloom. The polished aluminum 22-inch wheels also include a touch of purple paint, and the carbon fiber lower section of the body is finished in a unique chevron pattern with an amethyst tint.Rolls-Royce broke from tradition with the Droptail’s grille, angling the vertical vanes inward for the first time. The Amethyst Droptail’s vanes are partially hand-brushed and partially hand-polished, with a dividing line separating the two finishes. The unusual process allegedly took 50 hours and was inspired by the brushed hands on a timepiece in the watch collection of the owner’s son. As on La Rose Noire, the lower air intake features an ornate, complex design with 202 hand-polished stainless steel rectangles, painted in the globe amaranth hue.Perched atop the expansive hood, the Spirit of Ecstasy ornament sprouts out of amethyst cabochons, a term for when a gem is polished into a rounded form instead of faceted like the gems on many wedding rings. The Droptail comes with a removable hardtop roof and electrochromic glass that can switch between opaque with a purple tint to translucent with a hint of the Sand Dunes color.The cabin is full of wood, with the client selecting a Calamander Light open-pore strain, which is meant to match the Sand Dunes leather accents. Rolls-Royce claims that sourcing wood that perfectly paired with the leather was a six-month undertaking. The tan leather appears on the seats and dashboard, contrasting with the main purple leather upholstery. The wood extends from the dashboard down the door panels and to what Rolls-Royce calls the “aft deck,” clearly meant to emulate luxurious yachts, where the grain creates a dramatic V-shape. The wood was apparently tested for 8000 hours in temperatures ranging from 176 degrees to negative 22 degrees Fahrenheit, as well as extreme sunlight and rain exposure. Rolls-Royce says the deck also serves an aerodynamic role, claiming its the “world’s only ‘raw’ wooden surface that produces downforce on a new roadgoing motor car.”More Opulent Rolls-RoycesThe gauges echo the hood-mounted Spirit of Ecstasy, decorated with cabochon-style amethyst gems. The interior also includes woven leather floor mats, a reference, Rolls-Royce says, to the traditional weaving found in the souks, or Arab marketplaces, of the owner’s original home. Like La Rose Noire, the dashboard has a space for a unique watch, which the client commission from Vacheron Constantin, a Swiss manufacturer. The watch can be removed from its dashboard housing and worn.This content is imported from poll. You may be able to find the same content in another format, or you may be able to find more information, at their web site.Associate News EditorCaleb Miller began blogging about cars at 13 years old, and he realized his dream of writing for a car magazine after graduating from Carnegie Mellon University and joining the Car and Driver team. He loves quirky and obscure autos, aiming to one day own something bizarre like a Nissan S-Cargo, and is an avid motorsports fan. More

There’s a new documentary series about the rise and fall of disgraced former Nissan-Renault chairman Carlos Ghosn.The documentary is based on an investigative book published in 2022.Wanted: The Escape of Carlos Ghosn launches August 25 on Apple TV+.Louis XVI and Marie Antoinette lived large during the late 1700s, while willfully ignoring the grumblings outside the gate of the palace at Versailles. For this, they lost their heads. Carlos Ghosn, whose turnaround skills rescued first Renault and then Nissan, threw not one but two lavish and ethically suspect celebrations in the former digs of King Louis, but he managed to escape his troubles with his head attached, famously getting smuggled out of Japan in a box to permanent exile in Lebanon.Wanted: The Escape of Carlos Ghosn, a new four-part documentary series on Apple TV+, explores Ghosn’s rise and fall. The flashes of Versailles parties illuminate a man enamored with his own glory. Ghosn made his name for being “brilliant but also relentless with a ruthless focus on efficiency and a superhuman work ethic,” says director James Jones, but, “People say that over time, he lost his focus and felt like he had earned the right to enjoy the trappings of his success.”From the C/D ArchiveThe first Versailles party was allegedly for the anniversary of the Nissan-Renault alliance (which later added Mitsubishi), but coincidentally fell on Ghosn’s 60th birthday and was filled with more family and friends than executives. “When Louis Schweitzer heard about the party, he thought, ‘This guy has completely lost touch with reality,'” Jones says, referring to the Renault CEO who had brought Ghosn on board and then founded the alliance with Nissan, but who was not invited to the event, which reportedly cost $700,000 of the company’s money. The second party, which featured hired actors in 18th-century costume, feted Ghosn’s wedding and his wife Carole’s 50th birthday, and questions soon arose over who paid for the affair.This content is imported from youTube. You may be able to find the same content in another format, or you may be able to find more information, at their web site.Victim, Villain, or Both? Wanted recounts Ghosn’s precipitous fall from the high life to solitary confinement in prison. It seeks to paint him as both victim and villain, though it occasionally feels like it’s going easy on a man who doesn’t deserve it, simply because he was wealthy and successful for so long. (It also relies a bit too heavily on re-enactment shots that border on cheesy.)Jones strives to be as even-handed as possible in his directing, acknowledging that he felt “privileged” to talk to the people he’d been researching. Ghosn, he says, is “a stimulating person to talk to” and during editing Jones says he took care “not to undermine them in a way that feels you were disingenuous in your relationship.” He lets the competing narratives unspool for the viewers to decide. “Hopefully the viewer is pushed and pulled both ways over the course of the series,” he says.The series depicts Nissan executives, opposed to the full-fledged merger Ghosn wanted, as staging a coup. Ghosn was arrested on fairly flimsy charges and landed in solitary confinement, as did his underling Greg Kelly, who was held there despite needing spinal surgery in the hope of pressuring a confession out of him. The series makes much of Japan’s cruel “hostage justice” system without acknowledging that around the world, including in America, there are poor people suffering in the criminal justice system as well who don’t get documentaries made about them. As you’d both hope and expect, plenty is made of Ghosn’s headline-grabbing action-film-style escape in 2019. His abettors, Michael and Peter Taylor, were subsequently imprisoned themselves, although Japan allowed them to serve out their time in the United States. Ghosn’s escape was followed by revelations of potentially serious crimes, including funneling $50 million of company money to himself. “The first allegations are pretty minor, but the later ones are much more serious, and he does have a case to answer to but he won’t go to France to stand trial,” Jones says.”A Sense of Entitlement”The evidence appears strong against Ghosn. But even if his actions prove not to have been illegal, “doing it without telling the company speaks volumes about a sense of entitlement,” says Sean McLain, who, with fellow Wall Street Journal reporter Nick Kostov, wrote the investigative book on which the documentary was based, Boundless: The Rise, Fall, and Escape of Carlos Ghosn.Boundless: The Rise, Fall, and Escape of Carlos GhosnBoundless: The Rise, Fall, and Escape of Carlos GhosnNow 40% OffThe in-depth interviews with Ghosn and his wife—both of whom come off as arrogant, self-righteous, and lacking in self-awareness—as well as Kelly and the Taylors are riveting but may leave viewers feeling like they’re revisiting Succession. It’s hard to turn away from or wholeheartedly root for the fabulously wealthy and morally bankrupt or the unquestioningly loyal underlings who enable them. While Ghosn may seem like Logan Roy, he’s also haunted by his own father’s shadow; when Carlos was six, Georges Ghosn was convicted in the killing of a priest-cum-smuggler in Lebanon. The priest was supposedly delivering diamonds for the elder Ghosn but owed him money. Despite Ghosn’s claims that he’d only ordered him threatened, he was given the death sentence. Despite two unsuccessful prison escapes, the senior Ghosn’s death sentence was commuted to 15 years. “It must have been formative, but he shuts down any discussion,” Jones says and McLain adds that while it’s impossible to determine how it shaped him, “I believe it had a deep impact on his psyche.”An American Business SenseThere are more definitive answers about Carlos Ghosn’s career. After rising through the ranks at Michelin, he made his name as a cost-cutting turnaround specialist, reviving Renault and saving Nissan. “He had an ability to identify problems, find solutions, and inspire great confidence,” Jones says, but as an outsider he also made enemies in both places with his hard-driving approach that challenged longstanding workplace culture (especially with layoffs upon layoffs).”He has much more of an American business sense, and so the work culture at Nissan and Renault—where there are company lifers and it’s more like a civil service job—struck him as unnecessary and unproductive.” But bullying your way to success while refusing to play up to the old guard leaves you vulnerable. “When things did go wrong there was no one there in his corner, and when there was a chance to take him down some people jumped at it,” Jones says.Jones adds that Ghosn’s grandiose view of himself means that he doesn’t like thinking of himself as merely a turnaround specialist, a gunslinger in the Wild West who would clean up a town and then move on. McLain says that after he rescued Nissan, it appeared his vision for the company’s future was limited, creating “increasing discomfort and criticism in the company.” Ghosn’s One RegretThe documentary examines Ghosn’s lucrative offer in 2009 to rescue General Motors; but McLain says Ghosn instead tried unsuccessfully to bring GM into his alliance. “He says that not taking the GM job is his one regret,” McLain notes. “He wanted to build the biggest car empire, but he should have taken that job, earned five times as much money, and retired,” Jones says.Instead, he took a 50 percent pay cut from his $20 million Nissan salary during the Great Recession for public relations purposes. Wanted argues that his subsequent loss of focus at work and the misappropriating of $50 million came because he was frustrated by the pay cut. “He changed then,” Jones says. Ghosn with the Nissan Leaf at the 2009 Tokyo auto show.YOSHIKAZU TSUNO|Getty ImagesMcLain sees Wanted as a Shakespearean tragedy, with Ghosn undone by a tragic flaw: “He is a deeply talented person, but he has a massive chip on his shoulder and he views pay as an objective measure of his self-worth.” The documentary recounts how Ghosn’s notes on his phone indicated that a merger would make him a billionaire. “That’s an insight into his motivation,” Jones says.Fifty million dollars is, of course, a lot of money, but taking it still strikes McLain as a mind-bogglingly bad decision. “He tied himself in knots to compensate himself appropriately and ended up burning down everything he built.” Jones hopes ultimately viewers will see those tragic dimensions of his tale. “He will no longer be in the hall of fame of the great businesspeople of the 21st century,” he says. “Instead, he’ll only be remembered as the man who escaped in a box. That is devastating for someone like him.”Wanted: The Escape of Carlos Ghosn is out August 25 on Apple TV+. More

Toyota is reportedly considering adding a new small pickup truck to its lineup that would be based on the Corolla.This new vehicle would compete with the Ford Maverick and Hyundai Santa Cruz.Rumors suggest it could arrive in 2027 and that it would be built at Toyota’s plant in Mississippi that currently builds the Corolla.Toyota already has the mid-size and full-size segments covered with the Tacoma and Tundra pickups, but there could be room beneath these trucks for a new smaller, crossover-based pickup. As reported by Automotive News, Toyota is considering adding a Corolla-based compact pickup truck that would compete with the Ford Maverick and Hyundai Santa Cruz. As for the name, your guess is as good as ours, but we wouldn’t be shocked if Toyota brought back a name from its history such as Stout—a moniker it first applied to a small pickup sold in the U.S. in the 1960s.Much like the relationship between the Maverick and the Bronco Sport and the Santa Cruz and the Tucson, the Corolla-based pickup would likely share components with the Corolla Cross subcompact SUV. As shown in our illustration, it could combine a five-seat crew-cab configuration with a short cargo bed to replace the crossover’s hatch.ILLUSTRATION BY BEN SUMMERELL-YOUDE/FOX SYNDICATION|Car and DriverHybrid power is almost a certainty, given that it’s Toyota we’re talking about. We’d guess that the Corolla Cross’ 196-hp, all-wheel-drive hybrid setup with an EPA combined rating of 42 mpg would be the standard powertrain in the pickup. It may be beefed up a bit to help with towing and payload capacity. The Maverick’s optional hybrid drivetrain, for reference, produces 191 horsepower and is rated at 37 mpg combined, but it currently comes only with front-wheel drive. If You Can’t Wait Until 2027The supposed arrival of this new pickup is still a few years away, so it stands to reason that it would be based on a facelifted or redesigned Corolla Cross rather than the version on sale today that arrived for the 2022 model year. While the Corolla Cross is built at Toyota’s joint factory with Mazda in Alabama, AN’s report says that the pickup would be built alongside the Corolla sedan in Mississippi.This content is imported from poll. You may be able to find the same content in another format, or you may be able to find more information, at their web site.Senior EditorDespite being raised on a steady diet of base-model Hondas and Toyotas—or perhaps because of it—Joey Capparella nonetheless cultivated an obsession for the automotive industry throughout his childhood in Nashville, Tennessee. He found a way to write about cars for the school newspaper during his college years at Rice University, which eventually led him to move to Ann Arbor, Michigan, for his first professional auto-writing gig at Automobile Magazine. He has been part of the Car and Driver team since 2016 and now lives in New York City.   More